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The Latest Breaking News from Venice

Brendan Fraser Celebrated for Comeback Role in ‘The Whale’

Brendan Fraser is having a moment at the Venice International Film Festival. The once ubiquitous movie star of “The Mummy” franchise and “George of the Jungle” had, in the last decade, backed away from the spotlight.

Asharq Al-Awsat

Brendan Fraser sobs as comeback film The Whale receives six-minute standing ovation

Actor Brendan Fraser was given a rousing reception for his movie comeback The Whale which sees the former George of the Jungle star playing an overweight father who struggles to reconnect with his teenage daughter. The film had its world premiere at the Venice Film Festival over the weekend

Daily Mirror

Florence Pugh skips Don’t Worry Darling press conference in Venice

News comes amid rumours of a feud between Pugh and director Olivia Wilde

The Independent UK

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What’s up with Olivia Wilde, Harry Styles and Florence Pugh? The worry over Don’t Worry Darling

Have the headlines, memes and receipts been dominating your tabs? As the film gets set to premiere at Venice, here’s a quick summary to catch you up

The Guardian - AU

Excitement rises as ‘Don’t Worry Darling’ arrives in Venice

The Venice Film Festival is buzzing with anticipation for Olivia Wilde’s “Don’t Worry Darling,” which is having its world premiere Monday night a the Venice International Film Festival

The Independent UK

Olivia Wilde and Harry Styles go solo for Don't Worry Darling premiere amid feud rumours

Don't Worry Darling premieres at the Venice Film Festival soon. Olivia Wilde and Harry Styles were pictured arriving separately for the event amid reports of off-screen drama

Daily Mirror

The Whale review, Venice Film Festival: Brendan Fraser comeback is grossly manipulative to an effective degree

It’ll be no surprise if ‘Black Swan’ director Darren Aronofsky’s psychological drama wins a hatful of awards

The Independent UK

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The Whale review – Darren Aronofsky’s latest is a contrived disappointment

It’s hard to feel much sympathy for Brendan Fraser’s morbidly obese English teacher in this much anticipated but underwhelming return to movies

The Guardian - UK

L’Immensità review – desperation and secret yearning in 1970s Rome

Emanuele Crialese’s drama of family dysfunction, starring Penélope Cruz, offers moments of glorious escapist fantasy

The Guardian - UK

Timothée Chalamet, Simone Ashley, Sadie Sink: The best looks from the 2022 Venice Film Festival

The annual film bash has witnessed some spectacular looks on the red carpet

The Independent UK

The Ghost of Richard Harris review – a hushed reassessment of a hellraiser by his sons

Venice film festival: There are some memorable moments in this documentary about the great Irish actor, but too many inconvenient truths are dismissed for it to be definitive

The Guardian - UK

Brendan Fraser celebrated for comeback role in 'The Whale'

Brendan Fraser is having a moment at the Venice International Film Festival

The Independent UK

Pearl review – Mia Goth and Ti West scare up a storm in extraordinary pandemic horror

Venice film festival: This brilliant prequel to Goth and West’s previous collaboration, X, is a cine-fever dream set in the dying days of Spanish flu

The Guardian - UK

Don’t take democracy for granted, warns director of Argentine junta film

Comments at Venice film festival come after recent failed assassination attempt on Argentina’s vice-president

The Guardian - UK

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Chicago Tribune

Report from 2022 Venice Film Festival: Cate Blanchett excels in 'Tar,' while ‘White Noise’ and ‘Bardo’ struggle as much as their characters

VENICE, Italy — When we meet the imperious, exacting maestro played with thrilling command by Cate Blanchett in Todd Field’s film “Tar,” Lydia Tar has climbed every mountain to conquer her own personal summit of fame.

The Guardian - UK

Artists must expose corruption, urges director of documentary on opioid crisis

The story of Nan Goldin, a photographer who campaigned against the Sackler family’s Purdue Pharma, premieres at the Venice Film Festival

The Guardian - UK

Blue Jean review – watchable section 28 drama makes its point

Venice film festival: Though some of the acting seems a bit made-for-TV, this 80s-set drama looking at homophobia during the Thatcher era has a forthright, soap-operatic force

The Independent UK

Laura Poitras film spotlights activist photographer Goldin

Laura Poitras' Nan Goldin documentary "All the Beauty and the Bloodshed,” is having its world premiere at the Venice Film Festival on Saturday, where it is part of the main competition slate

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The Guardian - UK

Venice film festival 2022 opening roundup – a promisingly juicy start

Call Me By Your name director Luca Guadagnino serves up some fine young cannibals, Cate Blanchett dazzles in a musical tour de force, and Call My Agent!’s Laure Calamy is full of surprises

Pedestrian.tv

Timothée Chalamet’s Backless Outfit Put The ‘Nice’ In ‘Venice Film Festival’ The Internet Agrees

"Your honour... I let Timothée Chalamet crush me."

The Guardian - UK

Athena review – brutal violence and bravura action in the Paris banlieues

Venice film festival: A staggeringly good opening set piece is the high point of Romain Gavras’s gritty thriller about police racism

Asharq Al-Awsat

Timothée Chalamet, Taylor Russell Play Cannibals in Love

Timothée Chalamet was feeling cut off from the world in the early days of the pandemic. Then Luca Guadagnino, whom Chalamet saw as a father figure while filming “Call Me By Your Name,” called with a new possible project. It would be another young romance set in the 1980s. But…

The Guardian - UK

‘Societal collapse is in the air’: Timothée Chalamet on cannibal romance Bones and All

Actor says Bones and All is about ‘isolated young people without identity’ ahead of his bloody new film’s Venice premiere

Daily Mirror

Melanie Sykes, 52, 'splits' from toyboy gondolier boyfriend, 25, after 'fun' romance

Melanie Sykes has reportedly split from her toyboy gondolier boyfriend Riccardo Simionato

The Guardian - UK

Padre Pio review – Shia LaBeouf’s bearded brooding leaves film stuck in limbo

Venice film festival: Abel Ferrara’s latest film is a strange and frustratingly ambiguous tale of sin, sadness and spirituality

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