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The Latest Breaking News from Schubert

How the BMW M3 Touring challenged the M4 GT3 Evo at the Nordschleife

Jens Klingmann and Ugo de Wilde drove both the M3 Touring and the M4 GT3 Evo at the Nordschleife – here's why the bigger car poses a bigger challenge

Motorsport

Alim Beisembayev review – intimacy and conviction in programme of Romanticism

Moving from Schubert through Chopin to Liszt, the young pianist brought deep interpretative insights

The Guardian - UK

Can Bluey save classical music? Cartoon puppy’s all-encompassing soundtrack plays Bach and Beethoven to billions

In the hugely popular pre-school animation, composer Joff Bush references and rearranges classical tunes in all the right places – and never plays it for cheap laughs. Plus, the Wigmore Hall sees the writing on the wall

The Guardian - UK

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Elisabeth Leonskaja review – piano legend’s unerring sense of architecture reveals connections and kinships

In her recital programme of Beethoven, Schoenberg, Chopin, Webern and Schubert, the Austrian pianist brought new insights and expected delights

The Guardian - UK

Industry to Blue Velvet: the week in rave reviews

The high-finance melodrama returns, darker than ever, and David Lynch’s nightmare in suburbia gets another outing in the cinema. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews

The Guardian - UK

Eric Lu: Schubert Impromptus album review – mature and mesmerising

In this recording of the eight Impromptus, some of Schubert’s most profound music, Lu cements his place as a serious talent

The Guardian - UK

Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg

The likes of Janine Jansen, Timothy Ridout and Kian Soltani were part of a starry lineup giving this London audience a taste of heaven on earth

The Guardian - UK

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Víkingur Ólafsson: Opus 109 album review – pianist’s concept album opens up transcendent vistas

Olafsson’s account of Beethoven’s Op 109 is one of the most beautiful on record, the centrepiece of a recording that links the composer to Bach and Schubert

The Guardian - UK

Schubert: Piano Sonata in A major, D959; Moments Musicaux album review – grandeur and grace from Steven Osborne

His grasp of Schubert’s scale and ebullience means this is among the finest recordings of one of the composer’s final sonatas

The Guardian - UK

Renowned pianist and writer Alfred Brendel dies aged 94

Over a six-decade career, Brendel became known for his interpretations of classical masters including Beethoven, Mozart and Schubert.

Euronews

Alfred Brendel obituary

One of the greatest pianists of his generation who bestrode the musical world for six decades

The Guardian - UK

Majestic, rigorous and sheer fun: the best of Alfred Brendel’s recordings

As the musical world mourns the celebrated pianist, we assess his wide recording legacy and pick the 12 best, from Russian rarities to quickfire Beethoven

The Guardian - UK

Leif Ove Andsnes and Bertrand Chamayou review – rewarding pairing brings intimacy and colour

A programme of solo and duo works ranged from Schubert to Beethoven, but Kurtág was the main focus, his duets beautifully shaped and vivid

The Guardian - UK

For Dieter: Hommage à Dietrich Fischer-Dieskau album review – a heartfelt tribute to a lieder legend

The great baritone’s final student emulates his late mentor’s attention to verbal and musical detail in a 32-song centenary homage featuring plenty of Schubert

The Guardian - UK

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Evening Standard

Winterreise by Joyce DiDonato and Maxim Emelyanychev at Wigmore Hall

5/5 Schubert’s song cycle is interpreted in powerful style by Joyce DiDonato, accompanied by Maxim Emelyanychev

The Guardian - UK

DiDonato/Emelyanychev review – ingenious artistry brings Schubert’s bleak Winterreise to life

Joyce DiDonato’s theatrical skills enabled her to feminise the cycle in a particularly original way, before Strauss’s Morgen! gave us all hope

The Guardian - UK

The Guardian view on 20th-century composers: play it again, maestro

Radio 3’s celebration of Pierre Boulez is a chance to revisit “difficult” music and break down divisions between old and new styles

The Guardian - UK

Mishka Rushdie Momen review – the poignancy and power of Schubert unleashed

The pianist captured the vast dynamic contrasts of Schubert’s sonatas; and her fine playing of William Byrd was a refreshing foil foil

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The Guardian - UK

Lines of Life: Schubert & Kurtág album review – Benjamin Appl’s wonderful tribute to extraordinary composer

Works by Schubert and Brahms are interwoven with 13 of composer’s own songs in this beautifully realised collection

The Guardian - UK

Argerich/Maisky/Ivanov review – legendary pianist brings her irrepressible brilliance to chamber music programme

Martha Argerich joined with Mischa Maisky and Yossif Ivanov to perform music by Haydn, Mendelssohn and Schubert, but it was her solo Bach that was a special evening’s particular highlight

The Guardian - UK

Schubert, Ter Schiphorst, Andre album review – something old, something new

Alongside a rather brittle Death and the Maiden, contemporary composers Iris ter Schiphorst adds a recorder to a string quartet while Marc Andre’s miniatures study textures

The Guardian - UK

Brahms: Piano Sonata No 1; Schubert: Wanderer Fantasy, D760 album review – beautifully shaped works and a bravura performance

The French pianist revels in the virtuoso demands of Brahms’s early sonata

The Guardian - UK

Yuja Wang and Víkingur Ólafsson review – an unforgettable night with two star pianists

From the breathtakingly intimate dynamics during Berio’s Wasserklavier to the astonishingly crisp articulation of Schubert’s Fantasia in F minor, this concert was a masterclass in clarity and poise

The Guardian - UK

Williams/Burch; Booth/Waley-Cohen review – persuasive Schubert and superb Kurtág

Roderick Williams was vivid and compelling in Schubert’s Schwanengesang, while Claire Booth rose to the challenges of Kafka Fragments

The Guardian - UK

Baritone Roderick Williams: ‘I once heard a singer at a party say: “No peanuts. I’m singing in three days!”’

The baritone on how he looks after his voice, why he likes to talk to his audience, and playlists for the dying

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