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The Latest Breaking News from Rush

“We knew the album would stick out like a sore thumb and we’d have to show real tenacity. But if it wasn’t for Pull Me Under there’s a strong chance we wouldn’t be having this conversation”: When Dream Theater beat the odds with Images And Words

They were crossing Metallica with Yes and Rush while grunge ruled the world. But despite problems with their producer and label – and even rumors of a plot to replace James LaBrie – the prog metal pioneers survived and thrived

Louder

“I don’t know if there’s any other artists in the world who make me so happy. They understood how to make fun music without it feeling cheesy or corny”: Sabrina Carpenter on her musical heroes, why she decided to release a new album so soon... and Rush

“I’m like, ‘When did we stop doing that?’ Writers write, they make music, and they release music,” she says

MusicRadar

“The first time I played Rush’s YYZ I almost broke my fingers!” Epica bassist Rob Van Der Loo’s prog timeline, from Jon Lord to Dream Theater

Deep Purple’s Concerto For Group And Orchestra opened the door to the Dutch artist’s own career in symphonic rock

Louder

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“The reason Rush could rock while referencing Bertrand Russell and Elizabethan drama”: Neil Peart’s most powerful lyrics

Along with punching out impressive drum parts, he brought Tolkien, Twain and Wilde to bear on the world of prog. Here are just 10 of his best moments

Louder

Rush announce limited edition box set of their final four albums

Be quick! There's only 3000!

Louder

“We never ever wanted a hit, so it was irrelevant”: Quantum Jump didn’t write the longest prog single, but they took the longest word in the dictionary to Number 5 via their 1979 track The Lone Ranger

“Taumata-whaka-tangi-hanga-kuayuwo-tamate-aturi-pukaku-piki-maungahoronuku-pokaiawhen-uaka-tana-tahu-mataku-atanganu-akawa-miki-tora”

Louder

“I’ve never been very confident as a player. I’ve always felt like I had to work hard”: Alex Lifeson is one of the greatest guitarists of his time – but he says he’s often lacked faith in his skills

The Canadian virtuoso went through a period of guitar dormancy when Rush ended –now he says he feels reborn as a player

Guitar World

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A Judas Priest documentary co-directed by Rage Against The Machine’s Tom Morello is in the works

The Brummie stars have announced The Ballad Of Judas Priest – produced by Iron Maiden, Rush and ZZ Top collaborators Banger Films – but kept tight-lipped regarding a release date

Metal Hammer

"I had an idea for an album about people bottling Jesus's vomit." Rivers Of Nihil's Adam Biggs on concept records, working with Cannibal Corpse and not buying the hype for Metallica and Rush

Rivers Of Nihil might be modern prog metal masters, but that doesn't mean they sign from the same hymn sheet as everyone else

Metal Hammer

“I’m super-proud of everything Rush accomplished, but it’s what I did. I’ve moved on. I’m excited to be one of the folks in Envy Of None”: Alex Lifeson loves working alone in his home studio – and he’s even brought the guitar solos back

The dark prog-pop band’s second album Stygian Wavs is confirmation they’re a band in their own right, even if they quickly abandoned attempts to work together in the same room

Louder

“He’d start, ‘You’ll never guess what I dreamed last night…’ and the groaning would begin”: How Rush marshalled Alex Lifeson’s dreams to write a bona-fide prog-rock classic

A tour-de-force of instrumental prog, La Villa Strangiato is the sound of Rush at the height of their powers, and this is how the Hemispheres epic came together

MusicRadar

“Fans were tetchy about the future. When they heard these twisting rhythms and proggy sounds, all fears were allayed”: 11 great Rush songs from the 90s and beyond

The cream of the Canadian trio Rush's later years

Louder

"I want to expand my horizons": Rather than gaze backwards with Rush, Alex Lifeson is looking towards a bright future with Envy Of None

Second time’s a charm for Rush’s Alex Lifeson as he returns with a new album alongside his collaborators in Envy Of None

Louder

“Rush fans know Alex Lifeson has moved away from soloing. You probably wouldn’t know it’s him unless you were told”: What happened when Tiles’ Chris Herin gathered Peter Frampton, Martin Barre and others for his first solo album

An Alex Lifeson track worthy of an alternative mix, a digital reunion of former Jethro Tull members and a delightful solo from Peter Frampton colour Chris Herin’s solo album Hiding In Plain Sight

Louder

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Guitar World

“I was reluctant, even in Rush, towards the end – I was not playing nearly as many solos. I just wanted to get away from that”: Alex Lifeson on his complicated relationship with guitar solos – and why he cut down on leads in Rush's later years

Lifeson explains why solos aren't a priority for him anymore

Guitar World

“It’s a whole new generation in sound. There’s nothing lacking”: Alex Lifeson reveals the gear that has finally converted him to digital modeling

The Rush guitarist used digital sounds on his new album with Envy of None

MusicRadar

“Honestly, he's my best friend. Why wouldn't I wanna hang around with him?”: Rush’s Alex Lifeson and Geddy Lee still meet up and jam “once a week”

But guitarist was “disappointed” with the way Rush ended

Louder

“It’s not about that guy from Rush any more,” says Alex Lifeson. But with four and a half solos, it’s great to have him using those colours again on Envy Of None’s Stygian Wavz

Envy of None’s second album Stygian Wavz proves Alex Lifeson was right to work with other artists - might it make Geddy Lee consider doing the same?

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Guitar World

“I used really weird things like the Tristan chord and the Prometheus chord to give some of the songs a mystical vibe”: With the return of Mike Portnoy, Dream Theater are fully reborn – and John Petrucci's still not done exploring new guitar frontiers

Wielding naught but his signature Ernie Ball Music Man Majesty, Petrucci has been studying different types of scales and different types of chords – and he says having Portnoy back on the drum stool makes the prog-metal institution feel like they're all 18 again

Metal Hammer

"The music’s pretty progressive, but it’s not Rush is it? It’s not exactly Dream Theater." TesseracT's journey to debut album One

How young UK prog metal quintet TesseracT introduced themselves to the world back in 2010...

Louder

“Fans can fulminate over the tracklisting – ‘Where the hell is The Fountain Of Lamenth?!’ – but it hits all the right beats”: Rush’s R50 is a luxurious celebration with an emotional punch at the end

Multi-format box set cherrypicks at least one track from every studio and live album of the Canadian giants’ career

Louder

Fifty reasons why three Canadian oddballs became a treasured part of rock history

Rush's career-spanning box set R50 is a chronological 50-track anthology that documents the trio's five-decade arc

MusicRadar

"It was the first synth that made dreaming big accessible to a schlub like me": Geddy Lee teams up with Moog for special edition satin red Minimoog Model D with "hot-rodded" VCA circuit

"It’s a thrill to see the Minimoog in that stunning red, so representative of one of the most fertile periods in Rush’s creative history"

Louder

Rush got emails "from all kinds of drummers" minutes after the death of Neil Peart

Rush guitarist Alex Lifeson recalls being sickened by tasteless messages from people who wanted to audition for Peart's seat

MusicRadar

“Not that I was restricted in any way with Rush. I’m very proud of what we did. But this is a whole different kind of experience”: Alex Lifeson on disguised guitars, soloing strategies and finding fresh sounds and freedom with Envy Of None

Envy Of None's sophomore album, Stygian Waves, is the sound of Lifeson's post-Rush project stretching out with a sound you can really sink right into

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