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The Latest Breaking News from PROG

We pay tribute to Supertramp and founding member Rick Davies in the new issue of Prog, which is on sale now!

Prog 164 also features Rick Wakeman, Gentle Giant, Barclay James Harvest, Lunatic Soul, Arjen Lucassen, Jo Quail, The Emerald Dawn, Spriggan Mist and loads more...

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“It’s heraldic. It’s funny. It’s virtuoso and also really stupid! I wouldn’t change a note”: Simple ideas and happy accidents propelled a Dutch band’s second album to the pinnacle of prog. And yodelling.

Master craftsmen’s 1971 release was a unique fusion of ingenuity, passion and febrile chemistry – plus some tension – and they never looked back

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“It was just a song that fitted the story. I didn’t choose the singer. Luck was on my side”: A science-fiction concept album has enjoyed nearly 50 years of popularity with help from a song written for a Lego advert

1978 single was the only one of four to enter the top 10, featuring the magic of one of prog’s most distinctive voices

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“We thought it would be hard to replace her, so we didn’t. There had always been changes and this was a big one, but our attitude was to soldier on”: The prog pioneers who evaded disaster and reinvented themselves in 1970

What happens when a band’s trademark vocalist leaves? In 1970, the answer for this band was to take the pain and rely on their other strengths

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"A significant song of hope!" In 2010, with Yes forging on without him, Jon Anderson teamed up with old pal Rick Wakeman for The Living Tree album

Prog's take on the 2010 The Living Tree album by Yes alumni Jon Anderson and Rick Wakeman

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“If you see him live, it’s insane! He’s just ripping his heart out in front of you”: King Crimson’s Jakko Jakszyk on his favourite prog vocalist – also loved by David Bowie, Johnny Rotten and the guy who did The Sooty Show

Known for a Marmite voice, personal songwriting and a powerful sense of drama, his influence runs deeper than most people realise

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"We’re fortunate that people now appreciate what we do. It hasn’t always been that way. Nothing polarises people quite like we do, for some reason”: The mindset behind Rush’s final album, Clockwork Angels

In 2012 Geddy Lee discussed their 20th studio title – their only end-to-end concept record – from the aspect of a band who’d come to terms with their youthful years and transformed into a pop-culture phenomenon

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“There was a sense of humour. We were taken very seriously by the world at large, but there was always an edge of fun”: The grimness of Pink Floyd’s Wish You Were Here may have been overstated

1975 album remains a fan favourite – and despite their struggle to make it, the band insist the spirit of love shines through the grief and anger amid the theme of absence and their feelings about Syd Barrett

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“You tour for so long. You’ve got a family, a mortgage, and you come home from America after eight weeks with £100. That’s unsustainable”: Dan Tompkins had to leave Tesseract – so what brought him back for third album Polaris?

2015 album saw the djent pioneers continue their move away from frenzied metal to thought-provoking prog, meaning the singer had to embrace a new way of creative thinking

Metal Hammer

“He’s the only rock star who’s never done anything to be embarrassed about. He’s never put a foot wrong”: Why Peter Gabriel was the ideal inspiration for fictional prog icon Brian Pern

Simon Day and Rhys Thomas, creators of the TV mockumentaries, identify the Gabriel song that got them started and the one time the ex-Genesis singer refused them – but won’t name the band they wouldn’t allow to take part

Louder

“Proof they can go for the heart as well as the head, encouraging thought and emotional commitment”: Marillion’s 20 best songs as chosen by Prog readers (the band can’t believe Number 7)

Does the only album with four entries suggest there’s a definitive record from the neo-prog giants? Does the split between the Fish and Steve Hogarth eras reveal a preferred vocalist?

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“The bad blood was there from the start. There was no cohesiveness and the atmosphere between certain people was very toxic”: Trevor Rabin was trapped in hell with Yes as they made Big Generator

The guitarist, keyboardist and unwilling producer saw the band’s internal relationships buckling under intense external pressure to make an album as successful as 91025

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“My first instinct was shock at how much like Pink Floyd it sounded. But I can’t deny how important that record is”: Radiohead, Yes, Can and Peter Gabriel feature in Rock Hall boss Jason Hanley’s record collection

The Hall of Fame’s director of education wore out his first copy of 90125, was blown away by OK Computer, devoured So and went on to discover Coheed And Cambria

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"There are so many elements I never expected to see or hear!" New Van der Graaf Generator film shines light on only US gig from the 1970s

Van der Graaf Generator - NYC '76 captures prog legends Van der Graaf Generator at their only US live show prior to 2009

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“I’m not a massive fan of all things prog. But I must have listened to the Tarkus album a million times down the years”: Twisted Sister’s Jay Jay French wants Emerson, Lake and Palmer to be remembered for ever

Glam metal guitar slinger had been a fan of The Nice but hadn’t even heard of Carl Palmer when the super-talented supergroup blew him away live

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“I hoped we could go somewhere, with all of us making a living. I don’t have that hope any more”: Stubbornness, repurposed Kansas songs and letting a long-held ambition go helped Spock’s Beard make Noise Floor

By the time they delivered their 13th album in 2018, they’d already outlived many of their expectations. With line-up issues returning and the market having changed, they decided to focus on artistic achievement

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“Roger Waters’ Amused To Death is something you have to pay attention to. If it had Pink Floyd on the cover, it would have sold millions”: BBC chief football writer Phil McNulty’s prog record collection

The pundit, who met John Wetton and Geoff Downes through their mutual love of the sport, recommends albums by Asia, Supertramp, Marillion and others

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The silencing of The Lamb... Genesis are on the cover of the new issue of Prog, which is on sale now

Plus Roy Harper, Hawkwind, Jeff Wayne, Jakko Jakszyk, Green Carnation, Ihlo, Discipline, Chimpan A, Kindred Spirit and loads more...

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“I felt the stage fright because the band just wasn’t good enough. I said, ‘This will be our last record.’ Then things began to take off”: Even lockdown couldn’t dampen The Pineapple Thief’s spirits when they released Versions Of The Truth

It may have been the 13th album by Bruce Soord’s band, but he regarded is as their third, after drummer Gavin Harrison’s arrival changed everything

Louder

“We were virtually given free rein. In fact, they spent so much money on studio time, there was very little left for promotion”: How Caravan’s In The Land Of Grey And Pink became an unheralded prog classic

The leading lights of the Canterbury Scene’s third album is a genuine masterpiece – but pitifully few people heard about it on its arrival

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“Mr Blue Sky is the song I always go back to. It’s such a feelgood track and it’s never aged”: The ELO classic led Crobot’s Brandon Yeagley to Frank Zappa, Protest The Hero and a whole world of prog

From a box of his parents’ cassettes to voracious filesharing, the vocalist always wanted to be the one bringing strange new music to his friends

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New Peter Hammill biography to be published in November

The 500 plus page ROCK and ROLE: The Visionary Songs of Peter Hammill and Van der Graaf Generator features many rare and previously unseen photographs

Louder

“When we get together it opens up a portal. It’s mapping out the architecture of another dimension!” Steve Davis staged a theft to help The Utopia Strong make second album International Treasure

Prog’s unlikeliest trio, featuring Kabus Torabi and Michael J York alongside the snooker star, raised their game with the 2022 release. By then they were certain more would follow, even though they couldn’t explain what they actually do

Louder

“We didn’t really talk to them. I don't think they liked us, and we didn't really like them that much either”: The time the Eagles opened for a legendary British prog rock band – and hated it

When country rock met prog, it was never going to end well

Louder

“I’ve got 30 years of albums and awards – but they say, ‘He’s just a one-trick pony making money off the back of Mike Oldfield’”: Robert Reed’s struggle to keep a form of music alive

Magenta, Cyan and Chimpan A mastermind went to the effort and expense of bringing three key Oldfield collaborators into his Sanctuary projects. That proves his commitment to creating something genuine, although many people don’t realise it

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