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The Latest Breaking News from Marc Brenner

The Authenticator: The legacy of slavery tackled head-on, with humour

3/5 This play at the National Theatre features two historians investigating slavery documents in a country house and features enjoyable performances

Evening Standard

The return of pioneering playwright Winsome Pinnock: ‘New plays are always a risk’

INTERVIEW: The celebrated British playwright speaks to Louis Chilton about her new play ‘The Authenticator’, her precarious optimism about original writing, and why she was interested in this country’s ‘untold history’

The Independent UK

American Psycho in London: Arty Froushan on playing Patrick Bateman

Arty Froushan on taking up serial killing in American Psycho: The Musical, the smash hit satire that takes on Trump, toxic masculinity and Phil Collins

Evening Standard

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American Psycho review: Cold, hard, sharp musical perfect for era of looksmaxxing misogynists

4/5 Patrick Bateman arrives at the Almeida Theatre for this coolly disturbing musical satire on big money bros

Evening Standard

The Tempest review: Caliban wears a Gazza shirt in fascinating and fresh take

3/5 Tim Crouch’s take on Shakespeare’s final play doesn’t always come together but is filled with plenty of magical moments

Evening Standard

The Playboy of the Western World: A strong turn from Nicola Coughlan

3/5 The Bridgerton star plays a feisty barmaid in this revival of JM Synge’s 1907 comedy that once caused riots

Evening Standard

Diana Vickers on witches, toxic exes and why 'women finally have a voice'

Diana Vickers is coming into her own in a new era where she can be everything - actor, singer, writer - all tied together with her ‘funny bones’

Evening Standard

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The Standard Theatre Awards Shortlist 2025 revealed

Cate Blanchett, Tom Hiddleston and Rachel Zegler are shortlisted as the Standard’s historic celebration of the stage returns

Evening Standard

End at National Theatre: 'Performed with great subtlety by Clive Owen and Saskia Reeves'

4/5 Clive Owen and Saskia Reeves reunite to complete David Eldridge’s trilogy about couples

Evening Standard

Coven at Kiln Theatre review: 'Witchcraft musical needs work'

2/5 The songs work in this musical about witch trials in the 1600s but not a great deal else

Evening Standard

The Maids at Donmar Warehouse: 'If you're prepared to surrender, it's a wild ride'

4/5 This adaptation of Jean Genet’s play by Kip Williams makes use of phones to project the fantasy world of two sisters wishing to murder a terrible mistress but the true power is in the performances

Evening Standard

Clarkston at Trafalgar Theatre review: 'Joe Locke is fine but this is pure American cheese'

2/5 The Heartstopper star will bring the crowds but the play is too generic and static to go anywhere

Evening Standard

Bacchae at the National Theatre: 'Anarchic activism set to rap and dance'

3/5 The first play under new National Theatre Director Indhu Rubasingham is production of wild mood swings that ticks off issues but loses the plot

Evening Standard

Nima Taleghani on Bacchae: 'You’re invited for a good time, not for homework'

Nima Taleghani is becoming the first debutant playwright to have a play on at the National Theatre’s Olivier stage... and he’s not freaking out at all

Evening Standard

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Evening Standard

Emma at the Rose Theatre: Jane Austen will be laughing in her grave

3/5 Ava Pickett’s new adaptation is not for purists, but it is very funny

Evening Standard

Romans, a novel at Almeida Theatre: 'hugely ambitious portrait of masculinity'

4/5 An epic tale of three brothers in Alice Birch’s critique of manhood

Evening Standard

Dracula at the Lyric Hammersmith review: Umi Myers is magnetic in this clever feminist take on the classic

4/5 There are plenty of scary moments in this reworking that asks whether vampires or the patriarchy are the real monsters

Evening Standard

Dracula rises again: Umi Myers on a new show with its teeth on the pulse

A new production of Dracula at the Lyric Hammersmith tells the classic horror through a female perspective and aims to cleverly explore contemporary fears while scaring the old school pants off you

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Evening Standard

The Merry Wives of Windsor at Shakespeare’s Globe: rare London revival is a treat

4/5 Led by George Fouracres at Falstaff this is full of zest

Evening Standard

Ignore the haters, Rachel Zegler is an absolute smash in Jamie Lloyd's Evita at London Palladium

5/5 The balcony scene is a bravura piece of social commentary from Jamie Lloyd, while Fabian Aloise’s muscular choreography is charged with sexual allure

Evening Standard

Stereophonic at Duke of York’s: 'a fine-grained, audacious work'

4/5 The Broadway hit about a Seventies band trying to record their new album, hits the West End in (flared) style

Evening Standard

Fiddler on the Roof at the Barbican: 'This is a must-see'

5/5 The Broadway classic revival transfers from Regent’s Park Open Air Theatre to the Barbican, and manages to retain all of its magic

The Independent UK

‘Fiddler on the Roof is in my DNA’: how the West End revival dances on the edge of tradition

INTERVIEW: After winning five-star reviews and 13 Olivier nominations, Jordan Fein’s earthy take on the 1964 musical is transferring to the Barbican ahead of a UK tour. Alice Saville speaks with the director and the cast about transplanting their Jewish shtetl

Evening Standard

The Crucible at Shakespeare’s Globe: 'classic study of hysteria and herd behaviour'

3/5 The Globe take on Arthur Miller’s endlessly relevant play with broad strokes

Evening Standard

Here We Are at the National Theatre, Lyttelton review: should this have been staged at all?

2/5 Stephen Sondheim’s posthumous musical has no songs, only a stellar cast save it from being completely unenjoyable

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