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The Latest Breaking News from Hannah Horvath

Famesick: Lena Dunham makes us laugh about a dream job turned brutal nightmare

During the final season of Lena Dunham’s acclaimed comedy drama series, Girls, the character she plays, Hannah Horvath, says her ambition as a writer is to make people laugh about painful things. In real life, this is exactly what Dunham has achieved with her second memoir, Famesick which opens with…

The Conversation

Pig sex! Pulling teeth! Boar on the Floor! TV’s all-time most uncomfortable scenes

From Peep Show to Half Man, some of the best television can be the hardest to watch. Get ready to look through your fingers at these supremely squirm-inducing scenes

The Guardian - UK

Lena Dunham's Been Thinking About A Girls Movie, And Her Thoughts On Jessa Nearly Made Me Spit Out My Drink

Typical Jessa.

Cinemablend

From analysis to the latest developments in health,
read the most diverse news in one place.

Lena Dunham has ‘plot line’ in mind for Girls film nine years on from finale

HBO hit ‘Girls’ came to an end in 2017

The Independent UK

Suze Orman: 3 Reasons Parents Should Stop Paying Their Adult Kids’ Phone Bills

Suze Orman says covering your adult kids' phone bills could hurt their financial future — and yours. Here’s why it might be time to cut the cord.

GOBankingRates

3 Money Habits Boomers Think Are Normal but Are Making Them Broke

Baby boomers face surprising financial pitfalls, from outdated habits to costly generosity. Here’s what might be hurting their wallets most.

GOBankingRates

I'm Watching Too Much As A Girls Superfan, And It's Wild Seeing History Repeat Itself With Audience Reactions

Am I on glue here?

Cinemablend

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Girls gone bad: Lena Dunham’s Too Much is just not good enough

The creator of the seminal HBO hit has followed up with an underbaked Netflix background watch, a crushing disappointment for her ardent fanbase

The Guardian - US

Lena Dunham Shared What The Girls Characters Would Be Up To Now And It’s Just So Perfect

I'm obsessed.

Cinemablend

Too Much: Lena Dunham’s love letter to London, romance and the messiness of being a woman

When HBO launched Lena Dunham’s Girls in 2012, it followed shows such as Buffy (1997-2003), Sex and the City (1998-2004) and Gossip Girl (2007-2012), which had all set a standard of shiny, sanitised female representation that was both attractive and palatable to a wide audience.

The Conversation

Lena Dunham on Too Much and her long-awaited return to TV: ‘I stepped back from acting after my body was dissected’

THE SATURDAY INTERVIEW: Eight years on from ‘Girls’, the HBO comedy that made her name – and made her a lightning rod for criticism – Dunham is back with a 10-part romcom, ‘Too Much’. Ellie Harrison hears from the writer, along with her new lead stars Meg Stalter and Will…

The Independent UK

'Party Girl' Embraced the "Unlikable Female Lead" 30 Years Before It Became a Hollywood Trend

As the cult classic celebrates its anniversary, Parker Posey and filmmaker Daisy von Scherler Mayer reflect on how ahead of its time it was.

Marie Claire

Most Gen Zers and millennials say they still rely on their parents for money, and they carry a lot of shame about it

Many young adults are still turning to their parents for financial assistance, but it's not that they want to. Blame it on the economy.

Fortune

Lena Dunham faces backlash for 'desperate' joke about wanting her coffin at Pride parade

Lena Dunham, creator and star of Girls, has faced severe criticism on social media after saying she wants her coffin 'to be driven through the NYC pride parade'

Daily Mirror

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The Independent UK

Catherine Called Birdy review: Different century, same Lena Dunham in medieval feminist romp

The writer-director is back and armed to the teeth with millennial ennui, her usual trademarks retooled only to suit her tween audience

The Guardian - UK

How Messy Millennial Woman became TV’s most tedious trope

She’s charismatic, self-destructive, and increasingly tiresome: from Fleabag through to Everything I Know About Love, chaotic female leads now seem to be the default, one-note expression of womanhood. It’s time to move on

People

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