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The Latest Breaking News from Guitar World

“It’s a challenge. But I would say that at no point was it ever not a challenge”: How Taylor is building quality acoustic guitars in the face of tariffs and uncertainty

As the guitar industry faces mounting pressure, Taylor Guitars CEO Andy Powers reveals how the company is grappling with these challenges

Guitar World

“Flamenco-inspired triplets, big trap beats, and – wait – is that a wah solo?” January 2026 Guitar World Editors’ Picks

Featuring an onslaught of leviathan power chords from Sunn O))), a bruiser of a blues rock romp from Jared James Nichols, a beautiful, heartfelt piece of desert blues from Imarhan, a genre-obliterating piece of twisty guitar genius from Tim Henson, and a whole lot more

Guitar World

“Doors are immediately opened for us, but once you’re in the room they don’t necessarily give you the benefit of the doubt”: Evan Stanley and Nick Simmons on the realities of making it in the music industry as the sons of two Kiss legends

As the sons of Paul Stanley and Gene Simmons, the two are carving their own musical path together under the moniker Stanley Simmons

Guitar World

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“He told Sharon, ‘I know a lot of guitar players. We don’t have to use him’”: Jake E. Lee recalls how his conflict with producer Ron Nevison impacted Ozzy Osbourne’s The Ultimate Sin

The two clashed during the recording sessions – but a compromise was eventually reached

Guitar World

“A brand-new guitar shape from one of the world’s oldest guitar companies. Will wonders never cease?” 10 things we learned at NAMM 2026

We scoured every corner of the Anaheim Convention Center to scope out the latest and greatest gear – and there were some telling signs about the current state of the guitar world

Guitar World

“I fell in love with the Revstar because it was different from your Tele, Strat, Les Paul or whatever”: Chris Buck on how Yamaha nailed his new signature Revstar – and why you should reconsider the P-90

As a blues-rock player, Buck was told he should be playing something more old-school. But as he explains, the Revstar has everything he needs and more, and you should try one too

Guitar World

“He was across the hall and I mentioned my tone troubles to him…” How Steve Stevens saved Steve Vai on his David Lee Roth debut

Vai was a novice at “big rock guitar tones” at the time – but Stevens came to his rescue

Guitar World

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The demo was “dreadful” and the main riff drove the guitarist crazy – but with some inspiration from Yngwie Malmsteen, it became one of the biggest rock songs of the ’80s

A staple of sporting events around the world, this keyboard-driven anthem was given a healthy dose of muscle by its skeptical guitarist, transforming it into a perfect-for-the-era, stadium-pleasing classic

Guitar World

“It’s a versatile workhorse that I’ve been using for everything”: Ibanez shares first look at 2026 artist guitar lineup – and Nili Brosh’s long-awaited signature leads the charge alongside new Steve Vai, Joe Satriani, and Nita Strauss models

We got up close and personal with all the new signature guitars at NAMM 2026

Guitar World

“Ask any of the people who have played with him… he’s incredibly talented, but very mysterious”: Dave Mustaine admits he nearly passed on Marty Friedman for Megadeth because he didn’t like his hair

But then he heard Friedman play...

MusicRadar

“It’s like a baseball bat. It doesn’t play like any modern guitar I’ve ever used”: Geese guitarist Emily Green reveals the vintage guitar gem defining the breakout band’s sound

The budget-friendly model has become one of Green’s go-to guitars during this buzzy era of Geese...

Guitar World

“If you got the Ibanez catalog that year, it was Reb Beach, Steve Vai and Joe Satriani on the first three pages. They said, ‘Whatever shape you want’”: Reb Beach on the story of his ’90s Ibanez signature guitar – and the mystery behind its sequel

The year is 1990 and Reb Beach is on the cover of Guitar World with his Ibanez WRB-3, a super-cool weird shape electric. But what happened to the WRB-1?

Guitar World

“Give the average guitar player the chance to own my live rig. The tone worth $100,000s”: Billy Corgan has shrunk his Smashing Pumpkins rig into a Laney pedal amp – and he tested it in front of 60,000 My Chemical Romance fans

When Corgan walked onstage with My Chemical Romance at Soldier Field stadium, he didn’t bring his guitar rig. He plugged into the Laney Supergrace and nothing else

Guitar World

“Here’s a diary entry from July 24, 1974: ‘Argument with Bill Bruford. Bill says, ‘They might as well get a session guitarist’”: The making of Red, the album that pushed King Crimson to the brink

Robert Fripp digs into his long-unopened personal diaries with Guitar World as he shares the story of the relentlessly heavy and ambitious 1974 prog classic

Guitar World

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Guitar World

“With that said, you all can stop asking me if I am buying it now. Muchas gracias”: Joe Bonamassa has his say on the future of Norman’s Rare Guitars

Once described as a "good fit" for the store, Bonamassa says he is more than happy to see Norman Harris's vintage guitar institution join the Carter Vintage Guitars family

Guitar World

“Randy thought, ‘It’s not going to be good.’ He was so worried about it”: Why Randy Rhoads had reservations about Ozzy’s Diary of a Madman

Rhoads’ sister once looked back on the making of Ozzy’s sophomore solo record – and recalled the virtuoso being uneasy with its quick turnaround time

Guitar World

“Pro-level features on a bedroom budget”: Boss moves to take control of the entry level amp modeler space with the $229 GX-1 – going up against Mooer, NUX and Zoom

The effects pedal giant looks to make the multi-effects modeler experience more intituitive than ever with an affordable price tag and fool-proof layout

Guitar World

“We play three to four hours a night or more. I study in real time, 100 gigs a year. That's a great deal of practice”: Bob Weir's 6 principles of rhythm guitar

Often overlooked in guitar circles when compared to Grateful Dead bandmate Jerry Garcia, Weir was a brilliant rhythm player who blended jazz, folk, country, blues, and rockabilly influences into a style that any guitarist would do well to study

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MusicRadar

“The people who like that song aren’t actually fans of The Cure. They’re not the ones who buy my records”: How Robert Smith took a rare trip to “happy land” to create one of The Cure’s greatest hits

“I thought, why don’t I do a song about that Friday feeling?”

Guitar World

“There is no final curtain here, not really”: Bob Weir, Grateful Dead guitarist, vocalist and founding member, dies aged 78

The counterculture guitar icon never stopped evolving as a player and performer

Guitar World

“Back then people would come with some great old Gibson that had been under the bed”: Lenny Kravitz used to buy guitars from fans in parking lots at his shows – here’s why he’s stopped

It was the strangest thing. Kravitz would be getting ready to get back on the bus and he'd make the gear purchase of his life – a vintage grail at a good price... Those days are gone

Guitar World

“The Beck and St. Vincent guitar wizard will be filling in while he’s on the mend”: Pat Smear pulls out of Foo Fighters gigs due to “bizarre gardening accident” – and his replacement has been confirmed

If only the band had a guitar-themed throne that Smear could have used on stage...

Guitar World

“Thanks to those who made this company one of the greatest brands in the history of this instrument”: Mateus Asato is parting ways with Suhr after 12 years – and fans are already speculating where he's going next

The neo-soul virtuoso leaves the guitar brand after more than a decade of partnership

Guitar World

“That would be a huge undertaking. It’s not ‘puppet show Megadeth’”: Dave Mustaine says he won’t reunite with former Megadeth members on the band’s farewell tour

Don't expect Marty Friedman, Kiko Loureiro, Chris Poland or any other ex-Megadeth guitarist to make a cameo

Guitar World

“He told me, ‘Come in closer, I’ll tell you the secret of playing electric guitar’”: How an art-punk icon ended up playing with one of the blues’ all-time greats

Pre-Television, Richard Lloyd rubbed shoulders with many guitar stars, and had a rather memorable encounter with John Lee Hooker backstage at one of Boston’s premier jazz venues

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