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The Latest Breaking News from Flemming Rasmussen

“Nothing happened in Metallica unless Cliff Burton nodded ‘yes’”: Producer recalls how metal’s biggest band “leaned on” their beloved late bassist

80s producer Flemming Rasmussen remembers Cliff Burton being the heavy metal titans’ unofficial musical leader

Metal Hammer

"We were just snot-nosed punks doing what we were doing. It's pretty amazing that the record has stood the test of time." One of the greatest rock albums of all time celebrates its 40th birthday today

Metallica's Lars Ulrich on his band's masterpiece, Master of Puppets

Metal Hammer

“Our manager basically kicked us out of his house. We were supposed to go to Europe for the first time, and our gear had gotten stolen”: How Metallica turned tragedy into Fade To Black – the acoustic epic that put the elitists in their place

Inspired by the time Metallica’s gear was pinched, Fade To Black threw the metal scene into an uproar – but the band had the last laugh

Metal Hammer

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"I went to a party in San Francisco...there were all these freaks shooting up and this girl was real sick." How Metallica wrote their most iconic anthem - and how Stranger Things made it relevant to a whole new generation over three decades later

Metallica's most celebrated song helped define a generation of thrash metal and found new meaning decades later with a certain TV show

Metal Hammer

“Lars has a thing that every time they’ve done an album, he comes and plays it to me, and hopes that I nod and say, ‘That’s a good lad’. I said, ’You forgot the bass!’“: Flemming Rasmussen is still confused by Metallica’s bassless ...And Justice For All

Part of it was to annoy Jason Newsted, producer speculates

MusicRadar

"You forgot the bass!" Metallica's ...And Justice For All producer recalls his shock at hearing album's final mixes

Flemming Rasmussen produced Metallica's ...And Justice For All and was as surprised as anyone else by the bass guitar sound

Metal Hammer

“All the albums I did with Metallica were recorded on 24-track analogue tape. There’s not a computer in sight”: How Flemming Rasmussen produced Metallica’s classic Master Of Puppets

“I rate James as the best rhythm guitar player on the planet," the producer said

MusicRadar

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"I remember showing up at 10 or 11 in the morning and working on solos and that leading to two or three o’clock in the morning the next day”: How Metallica beat the clock and battled fatigue to create a poignant and pulverising anti-war epic

The sound of Metallica in full command, One would prove to be the ultimate thrash metal power ballad

MusicRadar

“Lots of people hated it at first. Fans wanted them to do Kill ’Em All 20 per cent faster”: how Metallica defied the haters and changed the course of metal with Ride The Lightning

Metallica’s second album Ride The Lightning turns 40 on July 27 – this is how they made one of metal’s greatest records

Metal Hammer

“They were waiting for him to state his place in the band. When the reaction didn't come, that was the way the album turned out”: Metallica producer offers a theory for Jason Newsted’s inaudible bass on …And Justice For All

Flemming Rasmussen explains why the band – who were mourning the loss of Cliff Burton at the time – decided to dial down Newsted on his maiden Metallica record

Guitar World

Cliff Burton wrote one of Metallica’s heaviest riffs on a de-tuned classical guitar

Kirk Hammett: “To this day, I think: ‘How did Cliff write that?’”

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