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The Latest Breaking News from Fender

“I gave the Nocaster to Stevie. I'd catch him playing it. Years later someone paid a million dollars or something for it”: Jimmie Vaughan on his three favorite guitars – and the story of the megabucks Fender he gave to his brother

The Texas blues maestro takes a trip down memory lane and pulls out three desert island six-strings

Guitar World

“The effects of these sudden and unpredictable tariff actions will have a long-term effect on musicians worldwide”: Guitar industry leaders to meet with Trump in a bid to avert “devastating” impact of tariffs

Many small-to-medium producers could go to the wall

MusicRadar

Hidden London: the Barbican Launderette

This is more than a place to wash clothes, writes David Ellis

Evening Standard

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“Some of the most ambitious custom shop guitars I’ve ever seen”: These are the gear releases that have caught my eye this week – and the essential launches you might have missed

New drops from JHS Pedals, Fender, Victory, and more that need to be on your radar this week

Guitar World

"A versatile jack-of-all-trades, with some excellent displays of mastery at times": Fender Player II Modified Precision Bass review

Fender’s workhorse-series P-Bass gets some performance-enhancing additions, as well as a tone control that works in passive mode

MusicRadar

Eddie Vedder uses one of Jack White’s signature guitars to play a Pearl Jam deep cut – after receiving it as a gift from the White Stripes legend

The White Stripes icon has been on a guitar-gifting spree – and the latest recipient has put the electric/acoustic hybrid to good use

Guitar World

“I didn’t know him or trust him. But I gave him all of that money in the hope he would bring me a Strat. I had no idea if I’d see him again”: Rammstein’s Richard ZK on the coffee shop rendezvous in East Germany that got him his first Fender

The Rammstein riffer wanted a Strat to imitate his hero, Jimi Hendrix – but getting hold of one took some serious work

Guitar World

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“I said, ‘You can’t make a guitar as good as my old one.’ They tried and it wasn’t great”: Vince Gill’s 1953 Telecaster is one of the most coveted Teles of all time – but the Eagles guitarist turned down Fender’s offer to make a signature recreation

Gill wasn’t convinced about the concept of a signature version of his iconic Blackguard, but Fender insisted on making a prototype – which was later lost in a flood

Guitar World

“It's the unpredictability and suddenness of the tariffs. Companies do not have the time to plan, adapt or evolve”: NAMM CEO John Mlynczak on the impact of Trump’s tariffs in the guitar industry

This week, representatives from some of the States' biggest guitar brands have come together in D.C. for the first time in 17 years to continue advocating for the musical instrument market

Guitar World

I bought the cheapest bass Fender makes from Amazon and it genuinely surprised me: Squier Debut Series Precision Bass review

The Amazon-exclusive Debut Series is aimed at beginners, but could it also be ideal for modders and guitarists who need a bass for recording too?

Guitar World

“A huge Achilles heel with the non-traditionals”: What’s the hardest part about designing a fresh guitar? According to Novo Guitars, it’s probably not one you’d expect

This particular component accounts for “80%” of a new design's success, according to Novo’s Travis Tingley and session ace JD Simo

Guitar World

“Iggy left the Stooges and had a career – ditto Lou Reed with the Velvet Underground or Morrissey with the Smiths. Where’s Biafra’s solo career?”: East Bay Ray explains why the Dead Kennedys’ chemistry hit its peak on Fresh Fruit... and why it fell apart

In the year 1980, the Dead Kennedys debut presented a new sound for punk. Here guitarist East Bay Ray tells us how they made Fresh Fruit for Rotting Vegetables

Guitar World

“The PB-62 continues our tradition of delivering outstanding price-to-performance value, and a fresh take on a classic theme”: Vintage mojo from a $180 beginner bass guitar? Meet the Harley Benton PB-62

There's no denying the inspiration behind this budget-friendly four-string but the classics never go out of style

MusicRadar

“It’s unreal that my own name is one of the coolest finishes I think Fender has ever done”: Fender teams up with country superstar Brad Paisley on a signature Telecaster that brings back a cult classic finish from the 1960s

The Limited Edition “Lost Paisley” Telecaster revives the short-lived Summer of Love and psychedelia-inspired Paisley finish that Fender first launched in 1968

Guitar World

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MusicRadar

“This isn’t just an Artist Signature model – it’s a glimpse into what could have been, had this concept made it to production”: Fender and Brad Paisley introduce the 1967 ‘Lost Paisley’ Telecaster

This limited edition Tele resurrects a unicorn finish and applies it to a top-tier vintage build featuring Seymour Duncan pickups and Glaser G Bender

Guitar World

“There’s a sleek look to bands like Loathe, Spiritbox or Knocked Loose. Spiky shapes are engrained in our values – we want to wear our influences on our sleeves”: Employed To Serve are re-embracing metal guitars –but dropping amps

Preparing to tour fifth album Fallen Star, guitarists Sammy Urwin and David Porter talk Scandi influences, trading offsets for baritones and amp modelers, and breaking down musical tribalism

Guitar World

“Tokai’s LS series are probably the best-built Les Paul-style guitars that have ever come through my shop”: How the Japanese guitar market came of age with ’80s Fender and Gibson clones – some that would rival the originals

You can’t tell the story of the Japanese guitar industry without the story of the clones – Keith Anderson of Japanese specialist Gas Station Guitars explains the history of the high-quality knock-offs that made its reputation

Guitar World

Played by everyone from Magic Sam and Otis Rush to Stevie Ray Vaughan, Robbie Robertson, Noel Gallagher, and Robben Ford, the Riviera remains Epiphone's semi-hollow superstar

The Riviera played a crucial role in Epiphone's evolution through the New York jazz clubs of the 1920s, '50s electric blues, to today’s vibrant, diverse scene – and it might be the brand's GOAT

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Guitar World

"A very cool guitar with a lot of style, and fortunately, it has the substance to match its good looks": Squier Limited Edition Paranormal Offset Telecaster SJ review

On paper, a Telecaster/Jazzmaster hybrid sounds like an absolute winner. But can the Squier Paranormal deliver the goods?

Guitar World

Fender Japan assembles all-star group of elite Masterbuilders for its most ambitious builds yet – the Deck O’ Cards Stratocasters

The four high-end builds, inspired by each suit from a deck of cards, represent the pinnacle of Fender Japan's guitar artistry

MusicRadar

PreSonus’s Quantum HD interfaces can be the heart of a powerful, convenient recording setup

The US brand's top-end interfaces pair with Eris Pro monitors and Studio One to create a recording setup perfect for guitarists and producers alike

Guitar World

I’ve been involved with guitars for decades, and in all that time I can probably count on two hands the vintage instruments I’ve seen with half the finish gone. Has guitar relic'ing gone too far?

We have gone from “Journeyman” lightly aged to guitars that make Rory Gallagher's number one Strat look box-fresh. Is it time to rein relic'ing in?

Guitar World

“Take a lunar journey”: Guitar Center continues its big-brand collaborative hot streak and takes Fender on a Moonlight Drive with a trio of limited-edition Player II models

Tonal and comfort upgrades have been included as part of the glow-up – which introduces a striking new colorway

Guitar World

“I left without a penny to my name. I was bitter for a while, but I’ve got a great legacy”: Though Pete Quaife gets credit for jumpstarting the Kinks bass chair, John Dalton and Jim Rodford pushed the band forward on many of their classic albums

From the powerful bass tone on You Really Got Me to 1979’s Low Budget, smart low-end was a key ingredient of the Kinks sound

Guitar World

“I was playing stuff I don’t think James Brown understood. He told me, ‘You have to play the one – you’re playing too much’”: Six years after he quit touring, Bootsy Collins reflects on James Brown and George Clinton, and what he gets out of playing today

One of the world’s greatest bassists talks switching from guitar, how LSD helped him become a songwriter and why he’s finally embracing five-string bass

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