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The Latest Breaking News from EHX

“The best Big Muff there’s ever been for bass”: Electro-Harmonix Bass Big Muff Pi 2 review

A long-lost EHX Big Muff variant, made real – and now made for bassists to enjoy too.

Guitar World

“More aggressive, more physical, more raw and in tune with the animal kingdom”: Electro-Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz review

A schematic, lost in the shuffle, resurfaces with the help of JHS Pedals supremo Josh Scott, and presents us with a fresh slice of Pi

Guitar World

“This could be one of the biggest steps forward in passive pickup design in years”: All the guitar gear that has caught my eye this week – including the most metal Jackson yet

A full-circle signature for Gary Clark Jr., as well as a potentially game-changing innovation from 3rd Power, headline this week's round-up

Guitar World

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“We were packing up, then all of a sudden he goes, ‘Have you been down to the basement?’” The iconic EHX Holy Grail has been championed by Jim Root and John Frusciante – and now the lost prototype has been found

The classic reverb pedal can be found on pedalboards the world over, but JHS Pedals' Josh Scott has tracked down the first one

Guitar World

“First of its kind”: Electro-Harmonix’s Effects Interface turns your pedals into plugins – and puts your prized plugins on your pedalboard

The utility tool could be a game-changer for your rig, forgoing converters and complex cable methods for a frills-free approach

Guitar World

EHX’s new Effects Interface is a stompbox-shaped device that lets you integrate your pedalboard with your DAW

NAMM 2026: Electro-Harmonix’s pedal-focused audio interface “handles your signal and delivers it with care between your hardware and software”

MusicRadar

“We found it. We built it”: A forgotten design for the Big Muff 2 spent 50 years buried in dust – now JHS Pedals and Electro-Harmonix have unearthed it and turned it into a reality

During a research trip for his new book, Josh Scott stumbled upon a never-before-seen circuit drawing that offered an alternate take on the Op-Amp Big Muff concept

Guitar World

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“This unreleased circuit, hidden for decades, represents an alternate, previously unknown branch of Big Muff development”: Electro-Harmonix and JHS Pedals team up to release a “lost” Big Muff

While researching a book on the history of EHX, Josh Scott found a 50-year-old schematic from Big Muff inventor Bob Myer. He took it to the breadboard and now it's here... The Big Muff 2

MusicRadar

“We are building a system to stimulate and retrieve energy to Earth”: Electro-Harmonix wants to harness the magnetosphere’s energy to solve the AI power crisis

Brand founder Mike Matthews has teamed up with a former Bell Labs scientist to shape his plans

Guitar World

“The ABRAMS100 packs a whallop and it’s perfect for pedals!”: Electro-Harmonix presents 100-watts of serious solid-state power in a compact guitar amp head weighing just 2.5lbs

An amp you can throw into a backpack, the ABRAMS100 is a single-channel head with digital spring reverb, 3-band EQ, Bright switch and effects loop and it has ample clean headroom

MusicRadar

“Dipping our toe into the cosmic pool of glitchy synth pedals with this one”: EHX expands its Pico series with the Atomic Cluster Spectral Decomposer – a mini-pedal that sounds so wrong its right

The Atomic Cluster might be teeny tiny but it's packing transformative energy for your guitar tone, with celestial synth sounds that soundscapists and adventurous players will love

MusicRadar

“It’s the guitar pedal equivalent of the Ark of the Covenant”: 50 years ago, Electro-Harmonix set the template for the future of guitar stores – then it disappeared without a trace. This is the story of the Hall of Science

Mike Matthews, Josh Scott and key EHX staff reflect on the firm’s boldest idea, which came at the height of its late-’70s powers – and went way beyond pedals

Guitar World

“Takes the splendidly saturated sound of the original and opens up a world of fuzz tones”: Electro-Harmonix adds switchable clipping, bias and Fat switch to a bona-fide classic of fuzz with the Bender Royale

The Bender Royale allows players to choose LED or germanium clipping, and has expanded EQ controls to help you dial in a wicked fuzz tone

MusicRadar

“From the simplest reverb to complex shifting ambiences, there’s something here for everyone”: Electro-Harmonix Oceans Abyss review

Electro-Harmonix releases its most ambitious reverb pedal to date – and it goes way beyond ’verb to offer myriad sound-sculpting opportunities

Guitar World

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MusicRadar

“At times it can really feel like more of a multi-effects pedal rather than just a straight reverb pedal”: Electro-Harmonix Oceans Abyss review

EHX brings us a reverb pedal with sliders, a screen, and all the potential to be a Strymon-killer

MusicRadar

“The Oceans Abyss expands on Electro-Harmonix’s highly acclaimed reverb technology to deliver a truly immersive effects workstation”: EHX’s unveils Oceans Abyss – a stereo reverb powerhouse promising a “completely unique soundscape building experience”

It's not just any reverb pedal, it's an "Advanced Reverb Laboratory", and it allows you to run two stereo reverbs at once, pan them across the stereo field, add effects and get creative

Guitar World

“Jimi was staying at a hotel in Times Square. He had his hair set in pink curlers and we would just talk band drama”: Electro-Harmonix founder Mike Matthews on befriending Hendrix, booking Chuck Berry and the birth of pedal culture

The EHX pioneer is one of the guitar world's most colorful characters. He tells us what happened when Hendrix bought one of the first Big Muffs, how the Rolling Stones got him started in the pedal biz, and why the "overdesigned" POG3 is an unlikely triumph

MusicRadar

“I have been in the process of trying to sell the company. It’s a difficult time”: Trump’s tariffs could be about to decimate the gear industry

Think that US-imposed Mexican and Chinese tariffs don’t affect you? Here's why your next gear purchase just got a whole lot more expensive

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Guitar World

“I’ll have to scratch my chin to think about it. Can I still make a profit?” Electro-Harmonix founder Mike Matthews reveals legendary pedal firm’s struggles in the face of Trump’s tariffs

EHX is the latest gear company to speak out after the impacts of Trump's new tariffs begin to be felt across the guitar world

MusicRadar

“A frankly ludicrous pedal that stakes itself as the ultimate octave funhouse”: Electro-Harmonix POG 3 review

EHX’s incredibly fun reincarnation of the POG aims to let you get weird with your tones, but does it justify that gigantic asking price?

Guitar World

“One of our best-selling pedals for over a decade with an updated feature set”: Electro-Harmonix responds to sky-rocketing looper competition with the Pico 360+ – can this mini looper take the crown?

Downsized reimagining of EHX’s best-selling 360 Looper channels the original’s magic, adds unlimited overdubs, and bottles it all in an ultra-tiny chassis

MusicRadar

“Packed with musical features to keep you jamming without missing a beat!”: Electro-Harmonix’s Pico 360+ is tiny $137 looper with 360 seconds of recording time and unlimited overdubs

A pedalboard space saver that's packed with features, the latest in EHX's Pico Series has 11 memory slots, overdub control and adjustable fade-out

MusicRadar

“This is a huge update to music’s best octave pedal”: EHX unveils the POG3 – now with 6 voices, 100 presets, individual pan controls, MIDI and more, say hello to the ultimate polyphonic octave generator

The POG3 expands upon Electro-Harmonix's polyphonic classic with stacks of new features, lightning-fast tracking as standard, and it might just be EHX's most ambitious pedal yet

Guitar World

“The most powerful polyphonic octave generator ever”: Electro-Harmonix unveils the POG3, the latest generation of the trailblazing octave pedal beloved by Joe Satriani and Jack White

With an all-new chassis, features cribbed from EHX's greatest hits, and a $645 price tag, does this premium pedal mark a new era for the storied New York FX co?

Guitar World

“A gnarly octave fuzz tone that interacts with your dynamics, optimized for bass”: Is octave fuzz the pedal your bass ’board is missing? Electro-Harmonix sure thinks so

The Lizard Queen has become the Lizard King, offering a dynamic, blendable octave fuzz pedal designed specifically for bass players

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