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The Latest Breaking News from Edge

There's nothing 'euro' about 'eurojank,' says Stalker dev—after all, what are some of the 2000s' best RPGs if not beautiful all-American jankfests?

He's got a point.

PC Gamer

“We can be in the middle of the worst gig in our lives, but when we go into that song, everything changes. The audience is on its feet, singing every word. It’s like God suddenly walks through the room”: The epic U2 anthem that drove its creators half mad

During the making of The Joshua Tree, half of the time was spent on this one track

MusicRadar

Ed Sheeran and Ukrainian soldier feature on politically driven new U2 record

Days Of Ash is the group’s first release in almost three years.

Evening Standard

From analysis to the latest developments in health,
read the most diverse news in one place.

Launching a new studio with former Forza Horizon and Codemaster devs is like "taking the best singers from the best boy bands in the world," says studio head

Interview | A trip through the Collected Works of simcade savant and Lighthouse Games studio head Gavin Raeburn, who has made a habit out of revolutionizing a genre

GamesRadar

‘The smart, the rich, the powerful’: Epstein associated with Silicon Valley elite years after his release from prison

Billionaires and intellectuals attended events with the disgraced financier years after he served time for sex offense, files reveal

The Guardian - US

Clair Obscur: Expedition 33's lead says they messed up a little by putting a ton of great endgame content next to a final boss you can easily outlevel: 'We weren't sure if our game was going to be that good'

Renoir or not, here I come.

PC Gamer

John Carpenter's Toxic Commando feels like Space Marine 2 meets co-op horde shooter, and it's the campy Left 4 Dead-like I've been waiting for since 2009

Hands-on | How Toxic Commando's incorporation of vehicular tech sets the zombie battlefield apart from competitors

GamesRadar

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"We never planned the game to be for everyone": Escape from Tarkov's creator reflects on the unwavering vision that pioneered an FPS genre

Interview | CEO and director Nikita Buyanov on the journey between inventing the extraction shooter and finally reaching 1.0

GamesRadar

"The horror is almost secondary to the menial task": From Crow Country to Resident Evil 9, here's how horror games keep us scared

Interview | Exploring horror's enduring thrall with the creators of The Mortuary Assistant, Crow Country, and more

GamesRadar

"We want you to feel like it's the game you remember playing, not necessarily the game that you did play": System Shock and Dead Space devs on the art of the remake

Interview | Exploring what goes into an excellent game remake or remaster with the minds behind some of the best

GamesRadar

Survival games are more popular than ever, but is one of the decade's most influential genres more endangered than it seems?

Opinion | The art of survival games' unique staying power

GamesRadar

Open world games are some of the most popular in 2025, but as GTA 6 looms on the horizon, 2026 is about to get competitive

Interview | With a new Grand Theft Auto en route, it's open season on open world games; where do we go from here? And how many kinds of open worlds are there?

GamesRadar

6 years after Untitled Goose Game's viral success, its devs seek solace in a chill co-op puzzler: "We were building the game around ourselves as we went"

Interview | If Untitled Goose Game was a "precarious house of cards", Big Walk offers a "looser, more permissive" space to play with friends

GamesRadar

"We are buying into your vision": Blue Prince publisher Raw Fury reflects on 10 years of indie game magic

Interview | Celebrating a decade of Raw Fury's raw talent

GamesRadar

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GamesRadar

12 years in the making, here's how Warframe went from "Hail Mary" to ongoing success story: "It feels like you're always 4, 6 months away from annihilation"

Interview | "We're a little more stubborn in trying to zig when others are zagging," says creative director Rebecca Ford

GamesRadar

"There's always a loose end, trailing off into the distance": Inside the mind of a Metroidvania creator and how they spin up mysteries

Interview | Uncovering the secrets of Animal Well, Tunic and UFO 50 with the devs themselves

PC Gamer

Clair Obscur's famously small (but not that small) developer isn't interested in becoming less not-that-small: 'I think it's good to have limitations when you are creative'

"We love making games more than we love managing, so we want to keep doing that."

GamesRadar

"Fallout was one of the first games that really shocked:" Our first glimpse of Fallout 3 showed how hard Bethesda worked to inherit and maintain an RPG legacy

From the Vault | Bethesda's Todd Howard and Istvan Pely weigh in on our first Fallout 3 preview in Edge Magazine, 2007

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news in one place.

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GamesRadar

Almost 30 years later, Fallout 1's depth of choice, chance, and consequence is still an RPG gold standard

There's no rest for the wicked in Fallout 1, and that's a very good thing

GamesRadar

Black Ops 2, Treyarch's unexpectedly experimental shooter, still surprises and discomforts – though not always intentionally

Feature | Revisiting Call of Duty: Black Ops 2, the FPS that turned the sub-series into a vital pillar for Activision's shooter behemoth

Louder

“It was a moment to reassess everything we were trying to do as a band”: the song that saved U2 when it looked like they were on a downward spiral

How one of the Irish rockers’ biggest hits got them back on track after a patchy period

GamesRadar

Fable lead Peter Molyneux was so excited about selling his first game that he cut a hole in his mailbox so all the orders would fit – it sold 2 copies and "one was almost certainly from my mum"

"For every game, I've got this belief that it's going to sell unbelievable millions"

GamesRadar

66-year-old Fable lead Peter Molyneux doesn't sound happy about it, but upcoming god game Masters of Albion might be his last ever: "I just haven't got the life energy left to do this again"

Molyneux tells Edge he's pushing as hard as he can

GamesRadar

Battlefield 6 devs abandoned the chaos of Battlefield 4's destruction mechanic because they thought "the game wouldn't be fun" if everything in it was dust: "We want it to serve a gameplay purpose"

RIP the "Levolution"

GamesRadar

Team Cherry had to go back to the drawing board for Hollow Knight: Silksong for one simple reason: "Hornet being taller changes everything"

"Her fighting is so fast, and she's so competent, that it changes the way enemies need to be designed"

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