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The Latest Breaking News from Anaïs Mitchell

Ahead of her performance at Glastonbury, the activist singer-songwriter will take on questions about wearing Prince out and rejecting the major label system

The Guardian - UK

Hadestown review – hit and myth continue to resonate in this primal tragedy

A strong cast overcomes some opening night problems to deliver a fiery and muscular version of an ancient tale

The Guardian - AU

The best theatre to stream this month: Mathew Baynton’s Dream, Hadestown and more

Anaïs Mitchell’s underworld musical gets a West End spin and the Horrible Histories star’s Bottom are among this month’s highlights

The Guardian - UK

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read the most diverse news in one place.

Nuala Kennedy and Eamon O’Leary: Hydra review – sumptuous folk songs

With guests including Will Oldham and Anaïs Mitchell, this record’s island setting seems to bring extra light and warmth to stories of the sea, love, work, war and migration

The Guardian - UK

The week in theatre: Nye; The Lonely Londoners; Hadestown – review

Larkiness overtakes Tim Price’s hallucinatory new play about the founder of the NHS; Roy Williams’s adaptation of Sam Selvon’s great Windrush novel pulses with brio; and Anaïs Mitchell’s underworld musical squeezes into the West End

The Guardian - UK

Anaïs Mitchell on her musical Hadestown: 'I worked on it so long I was afraid I'd never make another record'

The singer-songwriter never set out to make a Broadway hit, but it's funny how things turn out

Evening Standard

Music and interview with Hadestown's Anaïs Mitchell... The Standard Theatre Podcast

Plus, our reviews of Cowbois and The Good John Proctor

Evening Standard

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Bonny Light Horseman: Rolling Golden Holy review – new old-style songs from Anaïs Mitchell and co

The American folk trio’s second album keeps tradition alive not with covers but with 10 newly minted originals

The Guardian - UK

Anaïs Mitchell - Anaïs Mitchell review: Tranquil tales are a world away from Hadestown

On her first solo album in 10 years, the Grammy-winner recounts her pandemic retreat

Evening Standard

Anaïs Mitchell: Anaïs Mitchell review – walking out of Hades

After her Broadway success with Hadestown, the indie folk artist returns with a set of lowkey but polished melodic gems, boasting sharp lyrics and striking emotional gear-changes

The Guardian - UK

Anaïs Mitchell: ‘I want my songs to walk on their own legs’

The singer-songwriter is back with a new album after a decade spent nurturing her award-winning musical

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