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The Latest Breaking News from Guitar World

“A new benchmark for authentic sound”: Line 6 has finally shared what the Helix Stadium’s potentially game-changing tones actually sound like

Weeks after the Helix Stadium was unveiled, we finally have a brief taste of what the new Agoura modeling tech is capable of

Guitar World

“I can’t play like I used to, but I still enjoy playing”: Victor Wooten opens up on his battle with the health condition that he says is turning him into a beginner bass player again

The revered bassist is battling focal dystonia – a neurological movement disorder that causes his fretting fingers to curl up

Guitar World

“We were on stools next to each other, going back and forth on the parts in front of the board. That was the first time we’d met”: How Grace Bowers ended up on Lamb of God guitarist Mark Morton’s latest solo record

Bowers recently guested at the 67th Grammy Awards with Coldplay’s Chris Martin and collaborated with Peter Frampton and Trey Anastasio

Guitar World

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“We make those in the same quantities no matter what is in fashion”: Guitar trends come and go – but these are the Fender finishes that will never disappear

Changing fashions keep the Fender Custom Shop Master Builders busy, but a few staple models and colorways will always be on the menu

Guitar World

“This, ladies and gentlemen, is Dimebag’s number one guitar”: Dimebag Darrell’s Dean From Hell guitar makes a surprise comeback with Pantera

The iconic Dean ML was presented to Phil Anselmo by surprise during a recent concert

Guitar World

“I became obsessed with the idea and decided to reach out. I framed it like: ‘Would you be open to this if I worked on a prototype?’” How two of the pedal world’s most groundbreaking firms joined forces to make the ultimate overdrive

Combining two of the finest circuits in the game on one feature-packed gain pedal, the Brothers AM is the one overdrive to rule them all. Analog Man’s Mike Piera and Chase Bliss’ Joel Korte explain how it came to be

Guitar World

“One guitar that got used a lot was an ex-Keith Richards 1956 TV Yellow Junior… we were drowning in amazing gear”: Wrecking old tube amps, thrashing vintage Fenders, Chris Buck is taking no prisoners as Cardinal Black return

With their 2022 debut, Cardinal Black introduced the world to a budding guitar hero. Chris Buck explains how its followup has taken his playing and songwriting to the next level

Guitar World

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“Nearly impossible to produce a bad tone”: Xotic AC Booster V2 review

Xotic revamps its classic boost pedal after 23 years – and it’s all but guaranteed to improve the relationship between your guitar and amp

Guitar World

“My guy redesigned it into a medieval weapon: he did the blood splatter, drilled spikes on the side, and added three stripes because we wear Adidas all the time”: Slaughter To Prevail’s electric guitars are as savage as their deathcore breakdowns

Guitarist Jack Simmons unpacks his wild ESP refinish, why pinch harmonic riffs are the best riffs, and how he grabbed Ronnie Radke and Babymetal to guest on the metal heavyweights’ third record

Guitar World

"It was already broken, but now we’re seeing how broken and how evil it really is": Merpire on the rise of AI bands, and the recording of her new dream pop opus Milk Pool

On her second LP Milk Pool, Merpire transmutes alternative pop into something dreamier and blurrier, without sacrificing hooks and momentum.

Guitar World

“Impressive value for guitarists seeking rich clean/overdrive tones and timeless distortion tones”: PRS Archon Classic Head review

The PRS Archon Classic runs the gamut from crystal cleans to classic crunch and hot-rodded high gain

Guitar World

“If it felt like punk speed freaks, so much the better. Elvis never came up to us saying, ‘Suspicious Minds was too fast tonight’”: At the suggestion of guitar picker James Burton, Elvis set up an audition with an unlikely bass candidate – Jerry Scheff

How bassist Jerry Scheff became the core of Elvis' famed TCB Band

Guitar World

“With Mammoth, I play an EVH prototype built by Chip Ellis at the Fender Custom Shop. Only 2 exist!” Bassist Ronnie Ficarro on taking Wolfgang Van Halen’s studio sound to the stage

Ronnie Ficarro explains the nuances of pick playing, why tone can make or break a band, and how he stumbled upon slap bass for Mammoth’s latest single

Guitar World

“An arresting, unsettling, sometimes unpredictable effect – and in that sense it nails the Deftones brief”: KHDK Digital Bath review

This signature stompbox recreates one of Deftones’ dreamiest tones – but is it more than just a one-trick (white) pony?

Guitar World

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Guitar World

“The truth of the matter is, I don’t believe that anybody asked us”: James LoMenzo reveals Megadeth weren't invited to Ozzy Osbourne and Black Sabbath's final show

The other members of the Big Four of thrash metal – Metallica, Slayer, and Anthrax – all participated in Back to the Beginning

Guitar World

“I didn’t know their tunes, but we played some Chuck Berry and reggae, then Paul McCartney said, ‘What are you doing for the next few years?’” How Laurence Juber went from winning a Grammy with Wings to landing a hit record with Harry Styles

The British guitar veteran explains what made George Harrison different, how he returned to Number 1 with Harry Styles after 25 years away, and why Wings’ Back to the Egg needs to be re-evaluated

Guitar World

“Martin and Taylor, watch out. There’s a new small-bodied build on the block”: This is all the new guitar gear that has caught my eye this week – and I think I've been convinced to finally go wireless

All-new drops from PRS, Furch, Victory and more

Guitar World

"Featuring an array of genuinely useful extras, this is a surprisingly versatile and natural-sounding analogue overdrive": Nobels ODR-1X review

Building on the ODR-BC, Nobels adds some extras to their legendary overdrive tone

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Guitar World

“Should anybody be remotely interested…” Noel Gallagher shares pics of his Oasis reunion live rig – and we are definitely maybe interested

There are a biblical amount of boost options on Gallagher's board, but it is his SIB Echodrive that we'd swap our lasagna for

Guitar World

“Bears clear indication of its historical significance”: Randy Rhoads’ Quiet Riot Les Paul – which features on the back cover of their debut record – expected to sell for up to $200,000 at auction

His heavily worn pre-Ozzy axe is expected to fetch $200K when it sells next month

Guitar World

“He called me and said, ‘Paul! Paul! I need your help. Eddie’s coming up”: Paul Reed Smith on the time Kramer asked him to build a guitar for Eddie Van Halen

Smith was asked what he would have made if Van Halen had ever asked for a PRS guitar – but it turned out to be something of a trick question

Guitar World

“Pivotal throughout the band's pre-fame era and used for seminal recordings from Appetite for Destruction”: Slash’s famed B.C. Rich Warlock – which once went missing for 30 years – is going up for auction (again)

The guitar, which was one of Slash’s most-used axes in the band’s early days, is expected to fetch $200K

Guitar World

“I compared the two and the $140 Squier Telecaster, to me, sounded better”: Why Skunk Baxter chose to buy a beginner guitar over a “bazillion” dollar vintage Telecaster

Baxter pitted the two guitars against each other during a trip to Guitar Center – and there was a clear winner

Guitar World

“Page must be mental giving away such a terrific guitar as this”: 50 years ago, Jimmy Page gave a guitar away for free in a magazine competition – now it's expected to fetch over $67,000 at auction

The 1957 Gretsch Chet Atkins 6120 was originally bought by Page in Nashville, back in 1972

Guitar World

“Everything is set as loud as it can go without collapsing. All my heroes played loud – Clapton played loud, Jimi Hendrix played loud”: Joe Bonamassa breaks down his epic onstage guitar rig – and why your volume control is a tonal superpower

Amid the mayhem of his European tour, Joe gives us a guided tour around his 2025 live gear and tells us why his mighty multi-amp rig has to be run at breaking point. All in the name of tone

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