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The Latest Breaking News from Guitar World

“Redefines the possibilities of delay effects”: Ibanez looks to shake up the world of high-end delays with the Layer Delayer – its most ambitious pedal yet

Ibanez has gone all out with the feature-packed delay powerhouse

Guitar World

“It got nicked after a show in Leeds and went missing for years. Then I was reading an interview online and there, in the background, was the Mustang on the wall”: The story of the stolen Fender offset that unites three iconic indie rock bands

The Cribs' Ryan Jarman bought a ’78 Sunburst Mustang that helped shape the band's early sound – only for it to mysteriously end up in the hands of The 1975's Matty Healy and Beabadoobee nearly two decades later

Guitar World

“The ultimate modern headless guitar”? Donner’s $330 ergonomic headless build seeks to undercut Strandberg and Ibanez

Boasting an HSS pickup configuration and an asymmetrical neck profile, the HLX-500 could be the new entry level headless guitar to beat

Guitar World

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“I thought it was a prank, so I didn’t answer!” She put a video of herself playing bass on YouTube. Then Prince called

Having caught the attention of Prince and Bootsy Collins, Alissia is riding a new wave of recognition with her debut single featuring Nile Rodgers and EarthGang

Guitar World

John Mayer’s mystery Grateful Dead PRS Silver Sky became one of his most sought-after signatures – now it’s been officially released

Two new-look Silver Sky models headline PRS' new-for-2026 guitar drop – complete with a semi-hollow DGT and the all-new S2 Vela HHT

Guitar World

“The Stratocaster has been around for 70 years and it’s perfect. Now we come along and say, ‘You’re wrong!’ They don’t like it”: True Temperament wants to disrupt an industry built on heritage, but do its necks actually fix the guitar’s biggest flaw?

Crooked frets, designed to solve the instrument’s biggest intonation issues, have won over some big-name players (even if they’re keeping quiet about it). Is it a revolution or just a fad?

Guitar World

“Tools to name the weird and wonderful chords you may encounter on the fretboard”: Demystifying chord names, starting with a Hendrix and SRV favorite, the maj9

A little knowledge with naming conventions goes a long way to understanding complex chords and how they might sound

Guitar World

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“There’s more ‘Fender’ to Fiore and more ‘Gibson’ to the SE DGT… Inspiring guitars from inspiring players”: PRS Fiore HH and SE DGT Standard review

PRS has ignored its existing signature artists during its 40th Anniversary, but finally we get two new models that illustrate huge diversity, proving PRS does indeed make guitars for us players

Guitar World

“Every artist we've put through it is like, ‘Wait a minute, that's the plugin?!’” Why Fender just launched its own recording software – and what sets it apart for guitarists

The newly rebranded Fender Studio Pro features a sleek new look, clever AI tools – and the company’s iconic amps and effects thrown in

Guitar World

“I'm playing the same thing over and over for an hour, sweating and exhausted”: When Keith Urban and Dann Huff got heated over a guitar solo

The two first started working together in 2002 – and Huff tested Urban’s patience with an hour-long solo session

Guitar World

Watch Eric Bell, Richard Fortus, and a 45-piece orchestra star at Phil Lynott tribute show in Dublin

The all-star assembly gathered in Ireland to mark the 40th anniversary of Lynott’s passing

Guitar World

“We play three to four hours a night or more. I study in real time, 100 gigs a year. That's a great deal of practice”: Bob Weir's 6 principles of rhythm guitar

Often overlooked in guitar circles when compared to Grateful Dead bandmate Jerry Garcia, Weir was a brilliant rhythm player who blended jazz, folk, country, blues, and rockabilly influences into a style that any guitarist would do well to study

Guitar World

“You guys are funny. Imagine playing Little Wing on a guitar that isn’t a Strat…” After leaving Suhr, Mateus Asato sets the record straight on Fender rumors

Asato announced his departure from Suhr just one week ago – and is scheduled to release his debut album in the coming weeks

Guitar World

“I might've invented the scooped guitar sound – I just took the midrange and put it on zero”: Doyle Wolfgang Von Frankenstein, reluctant guitar hero and master of the macabre

There's no-one quite like Doyle Wolfgang Von Frankenstein – and he has seen it all. He discusses his “jet engine” dream tone, “Annihilator” preamps, and why Glenn Danzig has never changed

Guitar World

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Guitar World

“Don’t get the gig and then complain about it. If you can’t find something good in the music, that’s your fault”: What it takes to get to the top of the bass world, according to Victor Wooten

Having overwhelmed countless bassists with his rapid-fire slap technique, Victor Wooten still has plenty of bass philosophy to share

Guitar World

“There is something really special that can happen when three musicians are playing off of each other and interacting in real time”: Jared James Nichols on why playing in a trio opens up your soloing approaches

Jimi Hendrix Experience, Cream, Mountain, Rush... Jared James Nichols argues that three is the magic number, allowing guitar players to stretch out and the band to feed off each other

Guitar World

“You think of him as a songwriter and a singer really, but as a bass guitar player, it’s next-level”: Johnny Marr’s “mind-blowing” jam with Paul McCartney – and why he thinks Macca reinvented the bass

Post-Smiths, Marr developed a reputation as a gun for hire, which quickly led to an unforgettable jam session with the Beatle

Guitar World

“First of its kind”: Electro-Harmonix’s Effects Interface turns your pedals into plugins – and puts your prized plugins on your pedalboard

The utility tool could be a game-changer for your rig, forgoing converters and complex cable methods for a frills-free approach

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Guitar World

“It may be based on a Tone Bender, but it can also be considered a generic fuzz – and we mean that in a good way”: Electro-Harmonix Bender Royale review

Electro-Harmonix revives the classic three-transistor Tone Bender and evolves it for more sonic variety

Guitar World

“We weren’t allowed to play on our record... the Wrecking Crew guys all played. I’m looking through the window, going, ‘Wow, these are the cats’”: How Leland Sklar went from being banned from the studio to a session legend

Sklar reflects on his first encounter with the legendary collective of session musicians widely known as “Wrecking Crew”

Guitar World

“A love letter to one of the coolest guitars on the planet”: Gibson pays tribute to Keith Richards’ 1960 ES-355 with 2 Collector’s Edition models – painstaking replicas of his main six-string

The guitar was used on Sticky Fingers and Exile on Main St., and has played a staring role across countless Stones tours across the years

Guitar World

“Some Squier guitars have more flash, panache and personality than many standard Fender guitars”: Why the stigma of budget electric guitars has disappeared over the past 25 years

As Squier and Epiphone have upped the quality, expanding their range, so too have the likes of PRS, ESP, Jackson and more, narrowing the gap between beginner and “serious” instrument

Guitar World

“You may feel that the whole TransAcoustic thing is a novelty… we’d urge you to put aside your preconceptions”: Yamaha TAS3 C review

Reading a manual to find out how to connect your acoustic guitar to Bluetooth might deter some traditionalists, but there is treasure to be found for the adventurous

Guitar World

The Gibson SG Standard has been played by Angus Young, Robby Krieger, Eric Clapton, Frank Zappa, George Harrison... and the list goes on – but is it still underrated?

Raising the bar for upper-fret access, the SG is the solidbody electric that took the world by storm, but doesn't get the respect it deserves

Guitar World

“A unique, genuine, and fierce guitar player”: Black Midi guitarist Matt Kwasniewski-Kelvin dies at 26

The influential, boundary-pushing guitarist helped Black Midi become one of the most prominent bands in British indie rock

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