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The Latest Breaking News from Guitar World

“I quit playing music for two years. I was done. Then I got a call from Stone”: Mike McCready followed Duff McKagan to LA to make it big – but he nearly missed his shot in Seattle

Before Pearl Jam, the lead guitarist sought to make a success of his teenage hard-rock outfit, Shadow

Guitar World

“With the solo, my mindset is that we’re at the start of a musical journey, and it’s my mission to tell a story”: Jared James Nichols on his melodic soloing ideas every guitar player can take from Eric Clapton, Joe Bonamassa and SRV

In his latest Guitar World column, the blues powerhouse channels Slowhand (and uses his own track Threw Me to the Wolves) for a lesson in lyrical leads

Guitar World

“Brad said, ‘I know where it is.’ He opened up Guitar Player and it was there in a photo of Slash’s guitar collection”: The story of Joe Perry’s ’59 Les Paul Standard – his lost treasure and ultimate birthday gift

Joe Perry was forced to part with his beloved 'Burst in 1979, but it was his Aerosmith bandmate who found it again

Guitar World

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“I laughed my head off! Like, ‘Oh my God, what have we spawned?’” Keith Richards shares his response to the Sunset Strip shredders of the 1980s

Richards never had any interest in becoming a lead player – and the early innovators of the shred movement did not change his mind

Guitar World

“The house and studio burned to the ground. When we got there, Pink was sitting in the driveway. She gave me a Gibson guitar case with a bow on it”: How Butch Walker’s ear for killer tone took him on a journey from obscurity to in-demand producer

From Taylor Swift to Green Day, he’s worked with the world’s biggest stars, and still managed to make 16 of his own records –and, now, his own signature amp with Divided by 13

Guitar World

“I auditioned for The Ultimate Sin record. I was there for 21 days and recorded almost every day or night”: Greg Chaisson on his gruelling Ozzy Osbourne audition

Chaisson didn’t get the gig, but he did strike up a friendship with Jake E. Lee – which would be rekindled a few years later with Badlands

Guitar World

“That thing is unbelievable. It’s one of the most impressive new amps I’ve tried”: Misha Mansoor has a ton of amps. But one new design has blown him away

The Periphery tonesmith uses digital and analog gear in the studio, and one tube head in particular has knocked his socks off

Guitar World

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"It’s one of the most satisfying stacking combinations I’ve encountered in a dual-channel pedal for a very long time": Wampler Golden Jubilee review

Wampler is going for gold with a versatile, fun and pretty great-sounding dual drive pedal

Guitar World

“Her family wanted the guitar to go to a good home where it would actually be played. I still can’t believe her generosity”: With the help of a stunning vintage Gibson acoustic, Jussi Reijonen is giving Western folk an Arabian makeover

The Finnish fingerstylist's acoustic reveries are essential listening for fans of Paco de Lucía, Omar Khorshid, and Lenny Breau

Guitar World

“It was one of the strangest, most beautiful, serendipitous moments”: The John Mayer song that features a cameo from Prince’s guitar

A chance encounter with one of Prince's guitars resulted in Mayer putting it to use on Sob Rock

Guitar World

“More aggressive, more physical, more raw and in tune with the animal kingdom”: Electro-Harmonix Big Muff Pi 2 Dual Op-Amp Fuzz review

A schematic, lost in the shuffle, resurfaces with the help of JHS Pedals supremo Josh Scott, and presents us with a fresh slice of Pi

Guitar World

“Some of the guys made fun of it, but it ended up giving us our second Number 1”: Back to the Future made them a household name, now they needed a followup – the making of Huey Lewis and the News’ last big rock ’n’ roll guitar record

By 1986, the heat was on. The success of the Power of Love required an artistic statement and fast. Guitarist Chris Hayes looks back on the making of Fore!, when Huey Lewis and co rose to the challenge

Guitar World

“I discovered that it would be harder to try to replicate his tone than anybody else”: Steve Vai has followed in the footsteps of many guitar greats – this was the hardest one to nail

He’s filled the shoes of Eddie Van Halen and Robert Fripp, but Vai says this particular gig was even harder

Guitar World

“Too much gain is one of the most common tone mistakes”: How to dial in any guitar amp and find your sound

Great tone doesn’t need a guitar tech and a stadium rig. Here’s how you can get the most out of your amp in any situation...

Guitar World

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Guitar World

“Opening the case, we find ourselves transported back in time some 54 years”: How Gibson made the ultimate tribute to David Bowie guitarist Mick Ronson

This Collector’s Edition replica of Ronson’s Bowie-era ’68 Les Paul Custom transports you spiritually – and tonally – to the glory days of the Spiders from Mars (Hull) – but it does not come cheap

Guitar World

“It sounds way bigger than it is”: Joe Bonamassa names his go-to studio amp – which he bought from Steven Seagal

The 1950s combo “roars” in the studio despite its compact size

Guitar World

“It was so heavy to lift as an 11-year-old”: Josh Homme’s first guitar amp wasn’t even a guitar amp

It was a choice that set the tone for a career full of left-field gear picks

Guitar World

“A prototype given to George Harrison was prominently featured in the Beatles’ A Hard Day’s Night, inspiring insatiable lust for the electric 12”: How the Rickenbacker 360/12 revolutionized the sound of ’60s guitar

Introduced in 1964, the jangle of the 12-string Ricky inspired generations of players, with the likes of TomPetty, Mike Campbell and Johnny Marr all making it their own

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Guitar World

“I spent so much time as a teenager just staring at this guitar”: Liquid Gold Teles, a $569 shred machine, bonkers synth pedals... here is all the gear that caught my eye this week – and the megabucks Flying V that changed Kirk Hammett's life

Fresh new drops from Charvel, Fender, Gibson, Gretsch and more...

Guitar World

“Lo-Fi and Pitch modes take you well beyond the usual analog delay paradigm”: Beetronics Bee Bee Dee review

The first delay pedal from Beetronics offers analog sound with digital control for some time-warped creativity

Guitar World

“It's exactly Bruce’s guitar to his specifications. He just made it purple in honor of Moe’s Tavern”: Simpsons icon Hank Azaria on his Springsteen tribute – and his custom Moe guitar from the Boss’ own builder

From Springfield to Springsteen, the Simpsons actor talks about becoming The Boss, performing with two guitar icons, and shows off a custom Petillo guitar, complete with Moe inlay. Worst. Interview. Ever? Not a chance

Guitar World

“Those Fender Jazz basses sounded fantastic, but they scared the hell out of me”: Why bassist Paul Samwell-Smith chose a short-scale Epiphone for his “rave-ups” with the Yardbirds

The blues-rock opener from the band’s 1966 debut album showcases a standout example of Samwell-Smith’s fluid, freewheeling bass work

Guitar World

“Fender execs were miffed that the brand was being represented by such a worn-out Strat. They gave Rory a new one to replace the ’61. It saw little use”: The story of Rory Gallagher’s ’61 Stratocaster, one of the most iconic guitars of all time

The late bluesman's most famous guitar is a true relic in the original religious sense of the term: it was a part of Rory himself, a receptacle for his musical mojo and a dear friend that spent more time with him than most people

Guitar World

“I look down, I see the empty pit, and I see a bass guitar against the wall. I said, ‘Right, I’m gonna show you guys what I’ve got’”: When a teenage Suzi Quatro laid down a marker by jamming with Jeff Beck and Cozy Powell

The bassist was determined to prove her worth, and the impromptu jam was the perfect platform to do it

Guitar World

“He was one of a kind”: Alabama guitar legend Wayne Perkins – who played with the Rolling Stones, Bob Marley, and Joni Mitchell – dies at 74

Perkins made his name as a Muscle Shoals session ace and would go on to have a storied career playing with the greats

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