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The Latest Breaking News from Guitar World

“When people ask, ‘Why do you need so many?’ They don’t get what it is to be a collector. You have the ability to preserve things”: Joe Bonamassa on why he takes gear collecting so seriously

His pocket money is perennially spent on acquiring vintage gear, and he won’t change the habit of a lifetime any time soon

Guitar World

“I had to reassess why I was even playing. I stopped playing electric guitar for a year”: Steve Stevens says going on tour with Van Halen made him rethink his relationship with the guitar – and it gave way to one of his most experimental albums

After weeks of rock 'n' roll overstimulation, Stevens pivoted and spent a year traveling with a nylon-string

Guitar World

“I think people pay for their biases – people will pay more to reinforce the incorrect opinions that they already have”: Jason Isbell on why Mexican-made guitars should not be underestimated

Isbell recently released two Mexican-made acoustics with Martin, based on a 1940 Martin 0-17 that he used across the entirety of his latest album, Foxes In The Snow

Guitar World

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“His towering generational talent created the kind of multicultural American music that reached far beyond America itself”: Raul Malo – genre-blending frontman for The Mavericks – dies aged 60

The history-making Malo – who merged together a huge body of influences to produce a truly singular sound – leaves behind a formidable legacy

Guitar World

“I don’t need tons of gain on my guitar because everyone else is distorted!” Joe Bonamassa reveals the secret to writing heavy riffs – and his methods might surprise you

Step back from the overdrive pedal, dial the gain back, and that extra clarity could well sound heavier in a band mix

Guitar World

“I can’t say how he got the variety of sounds he did. They broke the mold when they made him”: This late rock guitar legend doesn’t get the credit he fully deserves, according to Paul Rodgers

The two guitar greats shared stages and studios, but Rodgers believes his former bandmate’s multi-faceted guitar chops are oft-overlooked

Guitar World

“Full shred combined with maximum chug”: Solar Guitars breaks new personal ground with its latest Assassin Series model – which offers a firm-first fret count of 27

It arrives with a minimalist spec, but those extra few frets could seal the deal for shredders

Guitar World

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“My hand to God, I didn’t intend to hurt Ace or his legacy”: Gene Simmons apologizes for previous comments saying Ace Frehley dying due to a series of “bad decisions”

The former Kiss guitarist passed away in October, following a fatal fall at his home studio

Guitar World

“I turned into a Strat player. I never thought I would”: Danielle Haim on her guitarist-for-hire days with Julian Casablancas, I Quit energy and Haim’s historic Grammy nomination

From their first gig at a Jewish deli to selling out arenas, Haim have been on quite a journey since their 2013 debut album – and made history as the first all-female band ever to be nominated in the Grammys’ Best Rock Album category

Guitar World

“We found it. We built it”: A forgotten design for the Big Muff 2 spent 50 years buried in dust – now JHS Pedals and Electro-Harmonix have unearthed it and turned it into a reality

During a research trip for his new book, Josh Scott stumbled upon a never-before-seen circuit drawing that offered an alternate take on the Op-Amp Big Muff concept

Guitar World

“Back in the heyday we had huge touring budgets and room for large travel rigs. Now you can store all your amps on a USB stick”: The greatest guitar gear of the 21st century (so far)

The guitars, amps, effects, tech and innovations that changed how we play, listen and create

Guitar World

“Noel has said, ‘No rest for the immensely talented,’ so take that how you want”: Gem Archer hints at Oasis' next move

Oasis embarked on one of the biggest reunion tours of all time in 2025 – and there might be more to come

Guitar World

“A true gift, 2 years in the making”: Brian May gifts Tony Iommi a custom Red Special replica – but it’s taken some inspiration from his legendary 'Old Boy' SG

It stays faithful to the original recipe, save for two important changes

Guitar World

“He would have wanted his fellow musicians to receive everything to which they are entitled”: The estates of Jimi Hendrix’s bandmates are suing Sony over streaming rights

Their lawyer says the musicians were marginalized by Sony Music Entertainment UK

Guitar World

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Guitar World

“There is a lot of fun to be had by putting random alternative bass notes under a chord”: Pete Townshend, RayDavies and David Bowie all used thirdinversionchords – here’s why (and how) you should, too

If the idea of third inversions seems all upside down, fear not: these five examples show how easy they are to put together – and how musical they are when you apply them in a song

Guitar World

“One of the most significant artefacts in rock music history”: Kurt Cobain’s MTV Unplugged Martin D-18E – the world’s most expensive guitar – has been donated to the Royal College of Music London

Plans are being made for the guitar to embark on a 2026 tour

Guitar World

“It’s clear to see that modelers have won the battle”: Modelers outsold traditional amps and combos in 2025 – but the war between the two might not be over just yet

Reverb's end-of-year sales stats make for interesting reading with regard to the current state of the amp modeler vs. tube amp debate

Guitar World

“We are big fans of tube amplifiers. There’s no substitute for playing an amp in a room”: From amps to plugins, Tosin Abasi teases the next evolution of Abasi Concepts

Abasi also addresses the ubiquitous amp modeler versus amplifier debate – and why “nothing defeats the experience of plugging into an amp”

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Guitar World

“It was the worst guitar I’d ever played. I’d spent all my money making it. I was stuck with it. So I started writing songs”: Arm the Homeless was a disaster, then it changed rock history. Tom Morello reveals how Fender replicated its misfit charms

Arm the Homeless is synonymous with the Rage Against the Machine firebrand and one of the most iconic electric guitars of all time. Morello explains why, after 30 years, he’s finally getting sentimental about his “artistic co-worker” – and the one thing that separates the Fender replica from the original

Guitar World

“It was the guitarhe played on the band’s earliest demos and at their early club gigs”: The Harmony Stratotone that Brian Jones used to teach Keith Richards and played on the Rolling Stones debut single fetches $150,000 at auction

It is a lot of dough for an entry-level instrument – but given the Stratotone's provenance, the auctioneers were estimating it would go for more than twice that

Guitar World

“Do you see Taylor Swift shredding scales? I don’t think so”: Wolfgang Van Halen on how fans unfairly critique his guitar playing because of his father – and why shredding like Eddie isn’t important

The Mammoth multi-instrumentalist has pursued his own musical path – though some commenters can’t help but constantly compare him to Eddie Van Halen

Guitar World

“One of the best-sounding headphone amps for guitar I’ve had my hands on”: Blackstar Beam Solo review

Blackstar enters a very busy market with their take on the ubiquitous headphone amp for guitar

Guitar World

“When people throw around the Lennon/McCartney comparison to Bob Mould and Grant Hart, I think that’s fair”: Greg Norton believes Hüsker Dü were always going to break up, but it happened too soon

The current Ultrabomb bassist discusses the instruments that led to his custom Reverend, how a 1985 concert video got lost, and how easy it was to learn from bandmate Mould

Guitar World

“Being in the same band with Joe felt like watching a childhood fantasy step out of my teenage brain”: Steve Vai and Joe Satriani announce the return of the SatchVai Band with their debut U.S. tour – and tease an upcoming album

After embarking on a European tour earlier this year, the two are back with their first-ever collaborative U.S. dates and plenty more music

Guitar World

“The guitar I learned to play on isn’t worth much, but I’ve played it at thousands of concerts and hundreds of recording sessions”: He’s performed on over 500 albums. Now Marcus Deml is making breathtaking guitar instrumentals under his own name

He spent 12-hour days learning at GIT in the shred era. But for his Strat-led solo showcase, Deml relied mainly on his ears and a religious approach to tone

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