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The Latest Breaking News from Guitar World

“We were falling about the studio floor laughing when I was playing. People started coming into the control room, like, ‘What is going on with these three guys? It’s an absolute racket!’”Meet High Fade, the Scottish funk-punk heroes we need right now

They’ve terrorized Nashville – now the Scottish funk-rockers are taking second album Twice As Nice to the streets. Guitarist Harry Valentino tells us of a riotous studio experience

Guitar World

“He would put a lot of treble on his amp to get the sound he wanted out of Lucille. Working and being in his presence was magical”: Jerry Jemmott on playing bass with B.B. King

When Jemmott was drafted to play on the Live & Well sessions in 1969, he would find himself in awe of the King, and joined a band that would produce three albums’ worth of material

Guitar World

“It’s going to piss off anyone drilling their sweep picking, but it’s brittle and human and alive in a way that I adore”: April 2026 Guitar World Editors’ Picks

Fresh new cuts from all corners of the guitar world courtesy of Muse, Arlo Parks, Jack White, Ed O'Brien, Weezer, Periphery, and more...

Guitar World

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“I get a call from Guitar Center in New Jersey. They go, ‘Your Explorer was in here. We just sold it to some guy’”: Richie Sambora hired a private detective to recover his stolen Gibson

Sambora was recently reunited with his prized 1976 Gibson Explorer, 41 years after it was stolen out of a warehouse

Guitar World

“The power went out, then this horrible rainstorm came. I got the chills. I said, ‘Dude, I think Gary Moore’s here’”: The supernatural experience Jared James Nichols had when he played through Gary Moore’s old amp

Nichols looks back on the moment he and Joe Bonamassa fired up one of Moore’s prized amps – which the Nerdville owner recently acquired for $25,100

Guitar World

“What’s that headless bass that looks like a toothpick? I really liked the sound, but I hated the bass”: How bassist Cliff Williams landed the gig (and found his sound) with AC/DC

When he joined AC/DC in 1977, Cliff Williams played a Fender Precision, but made a permanent change following the band's Highway to Hell album

Guitar World

“It was three people watching us in a bar and grill, and two of them were working behind the bar!” Zakk Wylde on his Ozzy Osbourne tribute, his Led Zeppelin epiphany, and the triumphant return of Black Label Society

The Wylde man waxes lyrical about songwriting, recording, his approach to soloing, and Ozzy’s Song, a poignant track from BLS's hard-charging newalbum

Guitar World

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“My idea, John, if you’re reading this, would be to write an odd-time signature song”: Plini is manifesting a collaboration with John Mayer – and has issued an open call to make it happen

The prog metal virtuoso has a wild vision for what their joint single could potentially look like

Guitar World

“He said, ‘We have this Michael Jackson tune.’ I looked at Quincy and said, ‘What does it need? Who should we…?’ Then he said, ‘Carlton’” Session legend Larry Carlton on how he ended up playing on a Michael Jackson hit

Carlton is part of a very select group of guitarists that's ever worked with the King of Pop and his elite team

Guitar World

“We’ve always been big fans of Nickelback – their guitarist came to see one of our shows and asked if we’d support them”: How UK riff-slingers Don Broco ended up recording with Muse’s bass rig – and collaborating with Nickelback

Recorded with the help of Muse bassist Chris Wolstenholme, Nightmare Tripping showcases bassist Tom Doyle’s Earth-shattering basslines

Guitar World

“I unbolted the neck and put it in a suitcase to save baggage. Then we saw all our stolen gear posted for sale in Eastern Europe”: Indie band survival stories with Ratboys and The Beths

Transatlantic touring pals Julia Steiner and Liz Stokes on their gear nightmares and why Stokes is still hoping for a guitar reunion story like Paul McCartney and his long-lost Höfner bass

Guitar World

“Billy said, ‘I've never played a high-gain amp that I like.’ It was a tall order”: How a Smashing Pumpkins superfan made the only amp Billy Corgan has ever truly loved

Brian Carstens spent 30 years obsessing over Corgan’s guitar tone. Then he ended up making amps for his hero – not to mention John Fogerty, Tool and Misha Mansoor

Guitar World

“The new vibrato only adds to the appeal – it’s easy to see how this guitar could do the business equally well for metal, jazz-fusion or function gigs”: Strandberg Boden Standard N2.6T review

A new vibrato design, on a guitar we loved already – will we be tickled pink?

Guitar World

Heirs of Jimi Hendrix's bandmates lose years-long royalties dispute against the Hendrix Estate and Sony Music

The judge concluded that, as per the original contract, the musicians signed their rights away, and that “the first owners of the copyrights… were the producers”

Guitar World

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Guitar World

“I’d be in the middle of a tough show, look over at the side of the stage and there’s Nels Cline, one of the best guitar players ever to play rock and roll”: White Denim’s James Petralli has learned to roll with rock’s punches

The sonic architect has been the one constant of White Denim’s 13-album rollercoaster – he tells us how he’s lasted the ride, and how it’s changed him as a player

Guitar World

“The original idea was Steve Stevens, but he was busy with Billy Idol”: How Steve Vai ended up joining David Lee Roth's post-Van Halen band – thanks to Billy Sheehan

While Vai wasn’t his original choice, the Sheehan-Vai dynamic proved strong enough to outlast Roth’s project

Guitar World

“The owner saw something in me. He said, ‘You know what? Just pay me back for it later’”: Jake Kiszka on the time he walked out of Chicago Music Exchange with a $25,000 guitar – which would become his Number 1 SG

The Greta Van Fleet guitar hero looks back on how he first crossed paths with the guitar he affectionately calls The Beloved

Guitar World

Dare you join us at the crossroads? Welcome to the acoustic blues masterclass

Inspired by Big Bill Broonzy, Lightnin' Hopkins and the O.G. blues great Robert Johnson, this lesson just requires an acoustic guitar. Heartbreak optional

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Guitar World

“Nobody had ever made that kind of noise on record before”: The life and times of Mike Vernon, the British blues legend who got Eric Clapton his Bluesbreakers tone

The producer of vintage Fleetwood Mac and Bluesbreakers was one of British blues’ towering figures

Guitar World

“The poor guy died out there and wasn’t discovered for 2 weeks. A perfect place to make beautiful music, right?” Steve Vai’s LA property – and his Harmony Hut guitar sanctuary – has been listed for $11.7 million

Despite a slightly chilling past, Vai used the space as a functioning studio and a home for his guitar collection, which included guitars personally gifted to him by Yngwie Malmsteen and Joe Satriani

Guitar World

“You thought, ‘Who are these people?’ They've only been playing for a year, and they're proud that they can't play”: Adrian Smith on how Nirvana and grunge negatively impacted Iron Maiden's career trajectory in the ’90s

The heavy metal guitarist looks back on how the pop culture and subculture paradigm shift impacted Maiden

Guitar World

“The letter read, ‘This was our mom’s guitar. It’s worth a lot of money. We want you to have it’”: How actor turned musician Morgan Nagler got her 1977 Martin acoustic, wrote with neighbor Phoebe Bridgers, and finally made a solo album

A TV star from the age of 5, she abandoned one art for another, and wound up learning from Gillian Welch, and being asked to work with Kim Deal

Guitar World

Former Kiss guitarist Bruce Kulick recovering from heart valve surgery

Kulick’s ex-bandmate, Gene Simmons, offered words of support amid the guitarist’s recovery

Guitar World

“Pedal history is in danger. ChatGPT is rewriting fact”: Josh Scott of JHS Pedals interrogated AI on the pedal industry – and what he found should alarm us all

Misinformation, feedback loops, and a lack of detailed sources sit at the root of the problem, he says

Guitar World

"The AI-assisted future of guitar effects pedals? In its current form, not quite. But its ambition is massive": Polyend Endless review

NAMM 2026's Best in Show winner promises to provide an immersive insight into the future of guitar effects pedals – but is the potential of this stompbox well and truly endless?

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